The common thread of being a legend: AUDEMARS PIGUET joins hands with Montreux Jazz Festival

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We have heard of collaborations between luxury automatic watches brands and famous cars. After all, the common concepts of seeking speed limits and minute-to-second precision are easy to understand intuitively. As for the mutual symbiosis between watches and music? They all extend from theoretical calculations to perceptual expressions. They also share the incomparable passion for creation and the endless pursuit of technology. If you look closely, you will find that there are so many echoes of concepts in them. Therefore, the cooperation between AUDEMARS PIGUET and the Montreux Jazz Festival in Switzerland not only guides us to discover some commonalities between music and watch art, but also highlights the core values ​​that both parties attach equal importance to.

In jazz, the individual technical talent of the musicians is of course highly respected, but the truly moving phrases only emerge when the parts and instruments blend together; just like clockwork, each component is of course of vital importance. The angles and corners are all part of an excellent timepiece, and only when the mechanical structure is perfectly engaged and operates accurately can the delicate hand-finished polishing of the parts and the calculated perfect visual proportions be meaningful.

On the jazz stage, superb skills, unique personalities, interactions between musicians, audiences, and band members trigger unique encounters one after another; is this experience the same as what AUDEMARS PIGUET watches bring to us? The emotions are quite similar? This year, the brand collaborated with brand ambassador Mark Ronson to jointly plan a unique music experience on the closing night of the Montreux Jazz Festival, writing a new chapter in cross-border cooperation. audemars piguet royal oak skeleton

To make people excited, you must first interact with them
Watches and music can create legends by connecting with people

If you like jazz, you must be a person who is willing to explore infinite possibilities and has an open and diverse taste perspective, because there are so many aspects that can be appreciated in jazz, such as melody, rhythm, harmony, improvisational interaction of musicians, and dazzling skills; it can be closely related to Various music styles merge and intersect with each other. At the same time, jazz always has its own style, which sounds like a unique “jazz flavor”. This characteristic of being both integrated and overflowing with individuality, pursuit of excellence and courage to innovate may be one of the reasons why AUDEMARS PIGUET joins hands with the Montreux Jazz Festival.

In the minds of music fans around the world, the Montreux Jazz Festival in Switzerland is a legendary international stage. Since its inception in 1967, it is the oldest and second largest jazz festival in the world. Every year in early July, the city of Montreux, located on the north shore of Lake Geneva, Switzerland, holds a 16-day music festival. Up to 250,000 audiences flock to this Swiss town, and countless top musicians and emerging musicians in the music world will appear one after another. Performance.

Nothing is more exciting than music’s interaction with people. Just like the most fascinating thing about jazz is the moments when the musicians perform “out of sequence”. The freer rhythm tests the tacit understanding of the band members, thereby giving different styles of interpretation of classic music and gorgeous dazzling skills. It is also most likely to explode at this moment! Whether it is the sparks of interaction between band members or the mutual exaggeration and blending of the audience’s emotions, the connection with people is the key to achieving a perfect performance and creating classic works.

Since 2010, AUDEMARS PIGUET has begun to support the Montreux Jazz Festival’s digital collection project. The goal is to digitize all the audio and video materials of the music festival to preserve this batch of songs selected for UNESCO’s Memory of the World Register. “A priceless treasure. In 2019, the two parties not only became global partners, but the brand further promoted the music sponsorship program and promoted cooperation with brand ambassador Mark Ronson.

Due to the increasingly grand scale of today’s Montreux Jazz Festival, the content of the performances is no longer limited to jazz music, but includes a variety of different types of musicians to perform on the stage. Paying attention to historical inheritance, while being able to advance with the times and be brave in innovation, these are the same core values ​​that AUDEMARS PIGUET is proud of. audemars piguet royal oak offshore diver replica

How does a watch pay tribute to music?
Move people’s hearts with rhythm through scenes most familiar to musicians

AUDEMARS PIGUET’s support and love for music and art have not only become a partner of the music festival, but also become the exclusive design vocabulary of the watch. The brand understands that watches, like music, are worthy of perseverance and idealism. These arts that constantly pursue excellence are certainly very suitable to be given a lofty image, but the most important element is always the close connection with people and the sincere interaction of emotions – —that is, how to move people’s hearts. The Royal Oak Offshore Music Limited Edition watch is the brand’s tribute to the world’s music scene and the musicians who devote themselves to creation and work tirelessly.

The brand chose a very bold design that can even be said to be a brand precedent. The Royal Oak Offshore’s classic “Tapisserie” plaid surface is printed with a colorful audio equalizer pattern; the strap resembles an audio plug. The interface and the crown guard bridge, which is like a mixer pusher, directly express the inspiration that music brings to watch creation through scenes that are all too familiar to musicians. Prior to this, this music limited edition watch has been launched in five different material styles. This year’s new model is a black ceramic case with a diameter of 37mm, paired with a black easy-to-change “mosaic” textured rubber strap. Among monochromatic tones, the ups and downs of the color equalizer make it more dynamic.

Brand Ambassadors Steering the 2023 Music Festival Show
A live performance is a wonderful journey

At this year’s Montreux Jazz Festival, AUDEMARS PIGUET invited brand ambassador Mark Ronson to jointly plan a unique music show on the closing night. This currently active producer and composer who has won seven Grammy Awards has collaborated with top singers and bands: Bruno Mars, Adele, Paul McCartney, Miley Cyrus, Duran Duran… too many to mention The single “Shallow” he co-wrote for the movie “A Star Is Born” won an Academy Award. He served as the album’s executive producer and co-composer of the soundtrack for this year’s “Barbie” live-action movie.

If a music performance simply pursues smoothness and excitement, then a gathering of top performers from all fields will surely satisfy the audience; but being on the historic and legendary stage of the Montreux Jazz Festival, it was once the springboard for many music superstars before they became famous. Mark Ronson and AUDEMARS PIGUET both hope to create a more meaningful performance.

Therefore, Mark Ronson invited many music industry masters who have jointly recorded the classic songs of superstars such as Amy Winehouse, Lady Gaga, and Bruno Mars to gather together and perform on the same stage; at the same time, he spared no effort to support the underachievers, and with the new singer Yebba who can write and sing, and Rhythm and blues singer Lucky Daye collaborates, drawing on the rich experience of senior musicians to help newcomers in the music industry who are preparing to climb to the top. replica watches Best

We often say that watch collection is like a journey, and the music show of AUDEMARS PIGUET and Mark Ronson’s “Dream Band” is not only a live performance of dozens of minutes, but also a period of inspiration, generational support and extraordinary creation. The creative process. This musical experience conveys to the audience about the talents of musicians, collaboration and the final moving results. What makes all this happen is the wonderful moments experienced by the brand, ambassadors, band members, watch fans and audiences around the world.

Audemars Piguet collaborates with designer Matthew Williams

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Audemars Piguet Replica Watch Royal Oak Chronograph 41 1017 ALYX 9SM Yellow Gold 26240BA.OO.1320BA.01

A minimalist collaboration from the designer’s own collection.

Four new timepieces for the Royal Oak and Royal Oak Offshore have been released, including a unique piece that forms part of this latest collaboration. Made in a mix of gold, white gold and two-tone, all pieces feature the Audemars Piguet and Matthew Williams own brand 1017 ALYX 9SM logo on the dial and rotor.

initial thoughts
It’s great to see a collaboration like this happen. When Matthew Williams, with his fashion and design pedigree, enters the world of watches, it is always worth keeping an eye out, as they are bound to bring a fresh and unique perspective. Here, however, he appears to have simply taken designs he had previously made at MAD Paris and asked Audemars Piguet to make them. The only visual difference is that the original had a round brushed dial whereas these are vertical brushed dials.

While the diversity of case sizes and metals is appreciated, it’s clear that the designs are not original, with the only real difference perhaps being that the date window has been removed from the standard Royal Oak.

The Royal Oak Chronograph and Royal Oak Offshore Chronographs share the same aesthetic treatment that is pleasing to the eye and makes for a cohesive collection. With its two-tone case and dark PVD-coated dial, this unique piece offers a pleasing contrast and looks just right for streetwear maverick Williams.

No price has yet been revealed for the pieces, nor how many will be produced. All we know for sure is that they’re hard to come by for all but the brand’s top customers.

street smart
Releasing five new models at once for a limited time is an unusual move for Audemars Piguet. All five dials feature a vertical brushed, minimal dial with no markings. Each dial bears the Audemars Piguet and 1017 ALYX 9SM branding, as does the movement rotor. Everything else is as you’d expect from the original model.

Starting with two Royal Oak models, a chronograph-only watch. 15550BA in yellow gold with matching dial. The main difference from the standard model is the absence of the date window, in fact the date function is said to have been completely removed from the movement rather than just covered by a solid dial. The movement is a self-winding movement. The 5909 fits into a case that is 37mm wide and 9.1mm thick.

The Royal Oak Chronograph is a variant of ref. 26240BA is made of all gold, and its appearance matches the pure chronograph version. Likewise, the date window is gone, and there are no markers to read the time or chronograph functions. It’s slightly oversized at 41mm in diameter and 12.4mm deep, and it comes with an auto-calibration feature. 4409 inside. https://www.moon-watch.co

Moving on to the two Offshore models, the only difference between the two is the case metal, one being white gold and the other yellow. They have a distinctive Offshore style for the case, buttons, and strap, but unlike the other two, they retain the date window. Run off calibration. 4404, slightly larger in size than the Royal Oak Chronograph, at 42 mm wide and 15.2 mm thick.

Finally, this unique piece comes in two-tone – gold and stainless steel – Royal Oak Chronograph. Dimensions and functions are the same as the limited edition, but the gold dial is treated with a black PVD coating and all text and hands are in gold for a good contrast. The single watch will be auctioned off at the launch event in Tokyo to help raise funds to support charities that educate and entertain disadvantaged children.

Overall, the design influence Williams has created is palpable, and Audemars Piguet’s trust in him spreads across four limited editions and one unique piece.

Audemars Piguet x 1017 ALYX 9SM Royal Oak Automatic Ref. 15550BA.OO.1356BA.02
Diameter: 37mm Height: 9.1mm Material: Yellow Gold Crystal: Sapphire Water Resistance: 50 m
Movement: Cal. 5909 Functions: Hours and minutes Winding: Automatic Frequency: 28,800 vibrations per hour (4 Hz) Power reserve: 60 hours
Strap: matching bracelet

Audemars Piguet x 1017 ALYX 9SM Royal Oak Automatic Chronograph Ref. 26240BA.OO.1320BA.01
Diameter: 41 mm Height: 12.4 mm Material: Yellow Gold Crystal: Sapphire Water Resistance: 50 m
Movement: Cal. 4409 Functions: Hours, minutes, small seconds and flyback Chronograph Winding: Automatic Frequency: 28,800 vibrations per hour (4 Hz) Power reserve: 70 hours

Audemars Piguet x 1017 ALYX 9SM Royal Oak Offshore Chronograph Ref. 26238BC.OO.2000BC.01
Diameter: 42 mm Height: 15.2 mm Material: Platinum Crystal: Sapphire Water resistance: 50 m
Movement: Cal. 4404 Functions: Hours, minutes, small seconds and flyback Chronograph Winding: Automatic Frequency: 28,800 vibrations per hour (4 Hz) Power reserve: 70 hours
Strap: matching bracelet

Audemars Piguet x 1017 ALYX 9SM Royal Oak Offshore Chronograph Ref. 26238BA.OO.2000BA.01
Diameter: 42 mm Height: 15.2 mm Material: Yellow Gold Crystal: Sapphire Water Resistance: 50 m
Movement: Cal. 4404 Functions: Hours, minutes, small seconds and flyback Chronograph Winding: Automatic Frequency: 28,800 vibrations per hour (4 Hz) Power reserve: 70 hours
Strap: matching bracelet

Audemars Piguet x 1017 ALYX 9SM Royal Oak Automatic Chronograph Ref. 26240SA.OO.1320SA.01
Diameter: 41 mm Height: 12.4 mm Material: Gold and stainless steel Crystal: Sapphire Water resistance: 50 m
Movement: Cal. 4409 Functions: Hours, minutes, small seconds and flyback Chronograph Winding: Automatic Frequency: 28,800 vibrations per hour (4 Hz) Power reserve: 70 hours
Strap: matching bracelet

Common ground as legends: AUDEMARS PIGUET and Montreux Jazz Festival

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It is often heard that Buy replica watches brands cooperate with famous cars. After all, it is easy to intuitively understand the common concept of seeking the speed limit and precise minutes and seconds; as for the compatibility of watches and music? They are all extended from theoretical calculation to emotional expression. They also share the incomparable enthusiasm for creation and the endless pursuit of technology. After careful exploration, there are so many echoes of ideas. Therefore, the cooperation between AUDEMARS PIGUET and the Montreux Jazz Festival in Switzerland not only guides us to discover some commonalities between music and watch art, but also highlights the core values that both parties value equally.

In jazz, the personal skills and talents of the musicians are of course highly respected, but the truly moving phrases will only emerge when the voices and instruments blend with each other; Angles and horns are all part of an excellent timepiece, and only when the mechanical structure is perfectly fastened and operated precisely, the delicate hand-polished and polished parts and the calculated perfect visual proportion can be meaningful.

On the stage of jazz, exquisite skills, unique personality, interaction between musicians, audience and band members trigger unique encounters one after another; whether this experience is the same as AUDEMARS PIGUET Audemars Piguet’s watch brings us the touch Quite similar? This year, the brand joined hands with brand ambassador Mark Ronson to plan a unique music experience on the closing night of the Montreux Jazz Festival, writing a new chapter for cross-border cooperation.

To be exciting, you must first interact with people
Watches and music, connecting with people, can make legends

If you like jazz, you must be a person who is willing to explore infinite possibilities and have an open and diverse taste perspective, because there are so many aspects to appreciate in jazz, such as melody, rhythm, harmony, improvisational interaction of musicians and showing off skills; it can be compared with Various music styles blend and intersect. At the same time, jazz always has its own style, which sounds like a unique “jazz flavor”. This kind of characteristic that is both integrated and full of self-individuality, the pursuit of excellence and the courage to innovate may be one of the reasons why AUDEMARS PIGUET joined hands with the Montreux Jazz Festival. perfect replica watches

In the minds of music fans around the world, the Montreux Jazz Festival in Switzerland is a world-class legendary stage. It has been held since 1967 and is the oldest and second largest jazz festival in the world. Every year at the beginning of July, Montreux, located on the northern shore of Lake Geneva, Switzerland, will hold a 16-day music festival. As many as 250,000 spectators flock to this Swiss town, and countless top musicians and emerging musicians will appear one after another. Performance.

What makes music so exciting is the interaction with people. Just like the most fascinating part of jazz, there is nothing more fascinating than the moment when the musicians perform “out of sequence”. The freer rhythm tests the tacit understanding of the band members, thereby endowing classic music with different styles of interpretation and gorgeous show-off skills. It is also most likely to erupt at this moment! Whether it is the spark of interaction between band members or the mutual rendering and blending of the audience’s emotions, the connection with people is the key to achieving a perfect performance and creating classic works.

Since 2010, AUDEMARS PIGUET fake has supported the digital collection project of the Montreux Jazz Festival. “The priceless treasure. In 2019, not only did the two parties become global partners, but the brand further promoted the music sponsorship plan, resulting in a cooperation with brand ambassador Mark Ronson.

Today’s Montreux Jazz Festival is becoming more and more grand, and the content of the performances is no longer limited to jazz music, but a wide range of different types of musicians to perform on stage. Emphasizing historical heritage while being able to keep pace with the times and be brave in innovation are the same core values that AUDEMARS PIGUET is proud of.

How does the watch pay homage to music?
Through the scenes most familiar to musicians, move people’s hearts with rhythm

AUDEMARS PIGUET’s support and love for music art not only becomes a partner of the music festival in essence, but also turns into the exclusive design vocabulary of watches on the other hand. The brand understands that wristwatches are just like music, which deserves persistence and ideals. These arts, which are constantly pursuing excellence, are of course very suitable for being endowed with a lofty image, but the most important element is always the intimate connection with people and the sincere interaction of emotions— — that is, how to touch people’s hearts. The Royal Oak Offshore Royal Oak Offshore Music Limited Edition watch is the brand’s tribute to the world music scene and the tireless musicians who have devoted themselves to creation.

The brand has chosen a very bold design that can even be said to have set a brand precedent. The classic “Tapisserie” check surface of the Royal Oak Offshore is printed with a colorful audio equalizer pattern; the strap resembles an audio plug. The interface and the crown guard bridge like a mixer pusher directly express the inspiration of music for watch creation through scenes that musicians are all too familiar with. Prior to this, this music limited edition watch has launched five styles of different materials. This year’s new model is a black ceramic case with a diameter of 37mm, with a black easy-to-change “mosaic” textured rubber strap. Among monotones, the undulating rhythm of the color equalizer is more dynamic.

The brand ambassador will hold a show at the 2023 Music Festival
A live performance is a wonderful journey

This year’s Montreux Jazz Festival, AUDEMARS PIGUET Audemars Piguet invited brand ambassador Mark Ronson to jointly plan a unique music show on the closing night. This producer and composer who has won seven Grammy Awards and is currently active has worked with top singers and bands: Mars Bruno Mars, Adele, Paul McCartney, Miley Cyrus, Duran Duran… too many to list ; he co-wrote the single “Shallow” for the film “A Star Is Born” and won an Academy Award. This year’s “Barbie Barbie” live-action film has him as the executive producer of the album and the co-composer of the soundtrack.

For a music performance, if you simply pursue smoothness and excitement, then the gathering of top performers in various fields will surely satisfy the audience; but at the legendary stage of the Montreux Jazz Festival, which was once the springboard for many music superstars to become famous, Mark Both Ronson and AUDEMARS PIGUET hope to create a more meaningful performance.

Therefore, Mark Ronson invited a number of music masters who have co-recorded Amy Winehouse, Lady Gaga, Bruno Mars and other superstar classics to come together and perform on the same stage; Rhythm and blues singer Lucky Daye cooperates, drawing on the rich experience of veteran musicians to help rookies who are preparing to climb the peak.

We often say that Best replica watches collection is like a journey, and the music show of AUDEMARS PIGUET and Mark Ronson’s “Dream Band” is not only a live performance of tens of minutes, but also a period of inspiration, generational support and extraordinary creation. course. This music experience conveys to the audience about the talents of musicians, cooperation and the final birth of moving results, and all of this is achieved by the wonderful moments experienced by the brand, ambassadors, orchestra members, watch fans all over the world and the audience.

Audemars Piguet celebrates 30th anniversary with new Royal Oak Offshore

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Audemars Piguet launches the Royal Oak Offshore (Royal Oak Offshore), a new black ceramic chronograph, a tribute to the Royal Oak Offshore “End of Days” released in 1999 in collaboration with Arnold Schwarzenegger (Arnold Schwarzenegger). “The watch pays homage.

Audemars Piguet has announced the launch of the new Royal Oak Offshore Automatic Chronograph. This black ceramic and titanium timepiece pays homage to the Royal Oak Offshore ‘End of Days’ model (Ref. 25770SN), released in 1999 in collaboration with Arnold Schwarzenegger. This model marked a turning point for the Offshore collection, leading to numerous collaborations with celebrities. The new limited edition timepiece celebrates the 30th anniversary of the collection with yellow details accentuating its modern black aesthetic.

First launched in 1993, the Royal Oak Offshore impresses with its bold design and generous proportions. A few years later, it achieved success, transcending the realm of haute horlogerie, forging partnerships with celebrities from the worlds of sports, music and entertainment. The “End of Days” model, launched in collaboration with Arnold Schwarzenegger in 1999, was a huge success and many special editions were launched. The new Royal Oak Offshore Automatic Chronograph pays tribute to the iconic watch that marked a turning point for the collection 30 years ago.

black ceramic case
This latest version of the Audemars Piguet Royal Oak Offshore Automatic Chronograph is made entirely of black ceramic with titanium details and weighs just 103 grams despite its large proportions. The ceramic material used has been expertly finished to fit the intricate lines of the Royal Oak Offshore case while meeting the manufacturer’s high quality standards. The black and yellow look of the original 1999 model has been carried over to the current version, with a black dial featuring a new generation Mega Tapisserie pattern and yellow accents on the tachymeter scale, hour markers and luminescent coating. The watch is equipped with a textile-effect black calfskin strap with yellow stitching, which is easily interchangeable with a yellow calfskin strap with black stitching. Review fake watch

Automatic Caliber 4401
The Audemars Piguet Royal Oak Offshore Automatic Chronograph is equipped with the latest self-winding movement 4401 with flyback function. The oscillating weight of the movement can be seen through the sapphire crystal case back, as well as the decoration of the movement, including Côtes de Genève, circular graining, sunray finish, circular satin finish and polished bevels. The case back is made of titanium and is engraved with the words “Limited Edition of 500 Pieces”.

Audemars Piguet and partnerships
Royal Oak Offshore has built its reputation by working with influential figures in entertainment, sport and music. These partnerships have enriched the collection and allowed it to evolve over time. In 1997, former bodybuilder, actor and pocket watch collector Arnold Schwarzenegger visited Le Brassus and was already a loyal fan of Audemars Piguet perfect fake watches. He later met François-Henry Bennahmias when he was a young salesman. Their collaboration led to the 1999 Royal Oak Offshore End of Days, which coincided with the release of the film of the same name. This limited-edition watch features a masculine design with a PVD-treated stainless steel case and Kevlar strap, a first in the brand’s history.

Hands on: Audemars Piguet Royal Oak “Jumbo” Platinum Grain Dial

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“Tuscany” returns.

Audemars Piguet (AP) just unveiled its new collection for the year, and one of the highlights is a new version of the classic Royal Oak “Jumbo.” Recalling the rare “Tuscan” dials of thirty years ago, the white gold Royal Oak “Jumbo” ultra-thin watch has a grained blue dial.

initial thought
From a distance, the new “Jumbo” looks just like a normal Royal Oak, with its white metal case and blue dial. But in the hand, it is obviously different. It’s still slim and elegant thanks to the gold case and bracelet, but surprisingly hefty. Granted, the quintessential Royal Oak is a steel “Jumbo,” but the white gold case makes this feel even more refined and refined.

Then there’s the dial. With its grainy surface, it’s distinctly different from regular Royal Oak – and easily beautiful. The PVD treatment gives it a gorgeous metallic blue color that, combined with the texture, catches the light well.

While it’s not a limited edition, it feels special, mostly because it’s the only platinum “Jumbo” in the catalogue. There’s another white metal “Jumbo” in the collection — a platinum version exclusive to AP Houses — but its green dial feels a bit too stylish. However, this grainy blue dial feels more like a classic.

The standard steel “Jumbo” is already an excellent watch, combining the perfect proportions of the original Royal Oak with excellent calibration. 7121. This white-gold version is arguably even better, with its delicately patterned dial and shiny white-gold case – but at CHF 65,000. It’s a lot of money, but goes well with the “Jumbo” in rose gold or yellow gold, but this one is even more special considering the dial.

“Tuscany”
The grained dial is a departure from the petite guilloché that is synonymous with the Royal Oak, but the embossed dial has historical significance, stemming from the “Tuscan” dials found on some Royal Oak models from the 1980s and 90s.

Although the origin of the moniker has been lost to time, the “Tuscan” dial is said to be the result of hand polishing. Introduced in the early 80’s, the “Tuscany” dial first appeared on AP’s round classic perpetual calendars like ref. 25657, but is now best known as found in the Royal Oak Perpetual Calendar like ref. 25820 for example. The dial also appears on the full platinum Royal Oak “Jumbo” ref. The 14802 Jubilee Edition was made exclusively for the model’s 30th anniversary.

Now AP has reproduced the “Tuscany” dial with modern technology. According to the Associated Press, the dial of the new “Jumbo” is stamped to create a “finer, brighter” texture, then PVD-treated to give it a rich blue hue, darker than the dial of the older “Tuscan” . The result is a dark blue grainy surface that shimmers at certain angles.

Other than the texture, the rest of the dial is standard “Jumbo,” with the AP logo printed below 12 o’clock and an applied badge at 6 o’clock. Like other current “Jumbo” models, the date dial on this watch complements the deep blue of the dial.

Historically, the “Tuscany” dial was most commonly found on the white metal models of the Royal Oak, but there were some gold models as well. Thus, the modern grained dial fits nicely into the white gold case. fake watches for sale

This is the only platinum Royal Oak “Jumbo” in the catalog, but is otherwise identical to other “Jumbo” references. 16202 models. The dimensions are classic “Jumbo”, extremely elegant: diameter 39 mm, height 8.1 mm. But the white gold case and bracelet give it a luxurious heft that the steel model doesn’t have, but without the ostentation of the yellow or rose gold models.

Inside is the calibrator. The 7121 debuted last year for the Royal Oak’s 50th anniversary. It’s just as thin as its predecessor, but more user-friendly. Carl. The 7121 features a quick-set date, a 55-hour power reserve (longer given the thinness and size), and a full balance bridge for increased stability and shock resistance.

Like all Royal Oak models produced after 2023, the new ‘Jumbo’ features a 22k rose gold standard rotor, rather than the anniversary rotor found on watches made last year.

Audemars Piguet Royal Oak “Jumbo” ultra-thin
Ref. 16202BC.OO.1240BC.02

Diameter: 39mm
Height: 8.1mm
Material: 18k White Gold
Crystal: Sapphire
Water resistance: 50 meters

Movement: Cal. 7121
Functions: hours, minutes and date
Chain: Automatic
Frequency: 28,800 beats per hour (4 Hz)
Power reserve: 55 hours

Strap: 18k white gold folding clasp

Audemars Piguet Launches Royal Oak Perpetual Calendar Purple Diamond Watch

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Since its inception in the 1980s, the Audemars Piguet Royal Oak Perpetual Calendar watch has continued to evolve, developing a variety of models. Today, the Maison combines precious materials and bold colors with a new boutique-exclusive edition (26598BC.ZZ.1220BC.01). The new watch features a 41 mm 18K white gold case with a purple “Grande Tapisserie” dial and a baguette-cut diamond-set bezel.

The new watch is 41 mm in diameter and 9.5 mm thick. The case is made of 18K white gold and is brushed and polished. It is equipped with an anti-glare sapphire crystal mirror, a screw-in crown and a see-through case back, and has a water resistance of 20 meters. The 18K white gold bezel is fixed with eight hexagonal screws, which is the signature feature of the Royal Oak series. The top surface is inlaid with 32 baguette-cut diamonds, showing luxury.

The purple dial is engraved with “Grande Tapisserie” large grid decoration, with sub-dials of the same tone, as well as 18K white gold three-dimensional hour markers and Royal Oak hands. 3, 6, 9 and 12 o’clock are respectively equipped with date, moon phase, week and month and leap year displays, with a balanced layout and clear and easy to read. A central hand with a triangular arrow combines with numerals on the outer edge to indicate the current week number. If it is continuously wound, the perpetual calendar function does not require manual correction until 2100.

Through the see-through case back, you can appreciate the built-in Caliber 5134 movement. The movement is assembled from 374 parts, only 4.3mm thick, contains 38 jewels, has a vibration frequency of 19,800 vibrations per hour (2.75 Hz), is equipped with a 22K gold skeleton rotor, and can provide a 40-hour power reserve. At the same time, the Caliber 5134 movement is also decorated with exquisite Geneva patterns and fish scale patterns.

The watch comes with an 18K white gold bracelet with an AP folding clasp. Additionally, it comes with a black rubber strap and a purple rubber strap.

Audemars Piguet ROYAL OAK JUMBO EXTRA-THIN 16202ST
The Royal Oak, the first of its kind in luxury sports watches, turns 50 this year, and for that reason alone, it deserves a spot on this list. It remains one of the most powerful designs in watchmaking history, penned by the late Gerald Genta in 1972. We all wonder what happens when AP announces that the 15202 will be discontinued. Well, it turns out that the new Royal Oak Jumbo Extra-Thin 16202ST is pretty faithful to its origins. The biggest change is the introduction of a new movement (with a special rotor only on its anniversary). The exterior changes are very subtle, with fine exterior touches here and there. But most importantly, it’s still what a Royal Oak should be.

39 mm stainless steel case, octagonal bezel – “Bleu Nuit, Nuage 50” petite checkered dial – white gold applied indexes and hands – AP Caliber 7121, self-winding – special 50 year rotor only available in 2022 – integrated stainless steel Bracelet with folding clasp – reference 16202ST.OO.1240ST.01

Audemars Piguet Launches Code 11.59 Starwheel

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A revival of a quirky classic.

After a two-year hiatus, Audemars Piguet has relaunched the Code 11:59 Starwheel time travel complication. The latest addition to the collection installs a unique complication in the Code 11:59, a model initially criticized but now often praised, and combines it with a blue aventurine dial that complements the two-tone black ceramic and white gold case .

The reintroduction of the Star Wheel in Code 11:59 was a very interesting proposition, and well timed.

It’s interesting because it combines the modern proportions and style of the Code 11.59 case with a once-overlooked complication. In this sense, the watch embodies a key direction in contemporary watchmaking: reinterpreting vintage classics for today.

While the formula is familiar, the new Starwheel is very different and will no doubt be polarizing. The relatively large case diameter of 41mm compared to the compact models of the 1990s means that the new model may not appeal to fans of the original, but it will certainly bring a new audience to the complication (and possibly Will expand Code’s customer base 11.59).

It’s good timing, as Starwheel fake watches from the 1990s have grown in popularity over the past two years as interest in watches of all kinds has exploded. As such, the brand’s revival of the Starwheel reflects its awareness of today’s tastes. It also suggests that the AP is watching the comings and goings of the secondary market, where older Starwheel models have been climbing in value — at least until the recent market turmoil.

The Starwheel retails for CHF 48,000, which is reasonable considering its built-in features and overall AP pricing. While slightly more expensive than a comparable Code 11:59 chronograph, the Starwheel has one of the more interesting and rare complications. The retail price is also more or less in line with the secondary market value of vintage Starwheel models.

While the new Code 11:59 Starwheel has a strikingly modern aesthetic, it is a descendant of the Starwheel watches made by Audemars Piguet in the 1990s, which date back some four hundred years.

Wandering Time was invented in the 17th century by the clockmakers, the Campagni brothers, and debuted as part of the “Night Clock” designed for Pope Alexander VII. Since the Pope had trouble sleeping, he needed a clock that would run without ticking. The Campani siblings built a chronograph driven by a movement that required a continuously rotating disc to indicate hours and minutes.

This complication was later used in pocket watches with graduated minute scales for improved legibility. However, it was quickly superseded by jumping hour displays popular during the Art Deco era in the early 20th century.

It was then all but forgotten until 1989 when one of Audemars Piguet’s watchmakers discovered the complication in a trade magazine. This eventually led to the first modern starwheel, ref. 25720, introduced in 1991.

According to fake Audemars Piguet, the model name may have been derived from the visible star-wheel that drives the hour disc. Over the ensuing 12 years, some 30 Starwheel variants were produced until the model was discontinued in 2003.

While the front of the Code 11.59 case is usually circular, it is an interplay of shapes. Its shape is enhanced by overlapping geometries – the bezel, back and dial are circular, while the middle of the case is octagonal.

Like several other Code 11.59 models, the Starwheel features a novel combination of ceramic and gold: white gold for the bezel, lugs and case back, while black ceramic for the case middle and crown.

The result is a high-contrast case that emphasizes shape and finish. Remarkably, the case middle is finished with polished and brushed finishes that meet at a perfectly defined boundary, demonstrating the precise hand-finishing of the case.

Below the crystal is a highly detailed dial. The hours are indicated by three aluminum discs with white numerals on a matt black dial against a blue aventurine glass dial. Further contrast is provided by white markings on the peripheral black minute scale on the dial.

It is also worth noting that only the highly complication watches in the Code 11:59 collection are equipped with aventurine glass dials. The material also appears on the dials of the perpetual calendar and tourbillon, where it complements the star wheel.

While wandering time isn’t the most intuitive way to display it, it’s easy to get used to. The Starwheel shows the time exactly like its predecessor. It relies on a central pinion to complete one revolution every three hours, orbiting the hours and indicating the minutes. The current hour numerals on the disc also point to the minute scale, assisted by small arrows on the dial carrying the disc.

But the new Starwheel differs from earlier models in one key way: it now has a second hand, something past Star Wheel watches didn’t have.

New code 11:59 powered by cal. The 4310 was developed exclusively for Starwheel. The movement boasts a respectable 70-hour power reserve and is derived from the cal. 4309 introduced in 2021 as the brand’s large-diameter workhorse movement. The caliber here has been reconfigured to accommodate the roaming time mod.

As expected from Audemars Piguet, the movement is well made. It features Côtes de Genève and prominent milled bevels of the bridges, as well as a solid gold oscillating weight.

Audemars Piguet Code 11.59 Starwheel 41mm
Ref. 15212NB.OO.A002KB.01

Diameter: 41mm
Height: 10.7mm
Material: 18k White Gold and Black Ceramic
Crystal: Sapphire
Water resistance: 30 meters

Movement: Cal. 4310
Functions: Walking hours, minutes and central seconds up
Chain: Automatic
Frequency: 28,800 beats per hour (4 Hz)
Power reserve: 70 hours

Strap: Black patterned rubber with white gold pin buckle

Audemars Piguet – Royal Oak Offshore Chronograph

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Together with the precise reproduction of the original Royal Oak Offshore Chronograph, Audemars Piguet presented three new Offshore Chronograph models at SIHH 2018 featuring the use of ceramic components, all of which are Carefully handcrafted.

Adding to the buzz is the bold camouflage chronograph (ref. 26400SO.OO.A052CA.01), a new 44mm stainless steel model with a khaki ceramic bezel, a stainless steel guard and screw for the first time. Buttons – locking crown and camouflage strap options.

Protected by an anti-glare sapphire crystal, the beige dial with the “Grande Tapisserie” pattern has brown counters, brown outer area, beige inner bezel and white gold applied hour-markers and Royal Oak hands.

An additional khaki green rubber strap is included with this model.

The new 42 stainless steel model with a blue indigo dial (ref. 26470ST.OO.A030CA.01) marks the first commercial appearance of blue ceramic for the pushers and screw-down crown.

The dial features the iconic “Méga Tapisserie” pattern with blue counters, Arabic numerals with luminous coating, blue inner bezel and white gold Royal Oak hands with luminous coating.

The blue is also a rubber strap secured by a stainless steel pin buckle.

Audemars Piguet also presents a monochromatic version in titanium (ref. 26470IO.OO.A006CA.01), enhanced by a bezel, pushers and screw-down crown made of elegant grey ceramic.

The slate grey dial with the “Méga Tapisserie” motif features silver counters, Arabic numerals with luminous coating, silver inner bezel and white gold Royal Oak hands with luminous coating.

The two-tone strap is light grey rubber on the top and dark grey rubber on the sides and bottom, with a titanium pin buckle.

All models are water-resistant to 100 meters/330 feet and powered by the Manufacture Calibre 3126/3840, a 365-part self-winding movement that beats at 3 Hz (21,600 vibrations per hour) , the power reserve is 50 hours.

Audemars Piguet

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Royal Oak Self-winding Flying Tourbillon Slim

Audemars Piguet launches the second version of the Royal Oak RD#3 with a diameter of 37 mm

Brassus, September 2022 – Swiss haute horlogerie manufacturer Audemars Piguet is pleased to present its latest Royal Oak Self-winding Flying Tourbillon Ultra-thin (RD#3) model. Complementing the 39mm “Jumbo” timepiece released earlier this year, this 37mm anniversary model pushes the limits of the Manufacture’s craftsmanship even further. The company debuts a flying tourbillon with a smaller diameter, thanks to its latest ultra-thin self-winding flying tourbillon movement, the Calibre 2968, which is only 3.4mm thick and adorns the slender wrist. Traditional and modern handmade ornaments. Equipped with an innovative escapement and an unprecedented plum blossom dial, this watch interweaves technical sophistication with the ultimate in refined aesthetic details.

Innovative ultra-thin flying tourbillon movement
At the heart of this innovation is the Calibre 2968, an ultra-thin self-winding flying tourbillon movement developed over five years. The integration of a flying tourbillon driven by an innovative escapement in the 39mm and 37mm diameter cases represents a major technical achievement for the manufacturer, as this complication was previously only available for the 41mm diameter. Given the limited space available, this self-winding flying tourbillon had to be creatively redesigned to reduce its thickness while preserving the original proportions of its cage, thereby repositioning certain components. For the first time, the tourbillon cage made of titanium is equipped with a peripheral drive, which also contributes to its slimness. 1 The combination of these two elements makes the energy distribution of the tourbillon smoother and, in addition, makes this regulating mechanism more light and refined. In addition, the new escapement relies on an oscillator with increased amplitude, which improves reliability, energy distribution and precision. cheap replica watches

In order to provide the best visibility of the flying tourbillon and movement, Audemars Piguet engineers completely redesigned the mechanics. On the back side, the bridges are skeletonized to reveal the inner workings of the movement, while achieving a harmonious and symmetrical aesthetic. On the dial side, the geometry and positioning of the balance arm has been revised to make the beating heart clearer. The technical design of the movement places the flying tourbillon at dial level for a better visual experience

The manual decoration of the movement components, visible through the sapphire caseback, combines the dynamism and classicism of the V-corner with the modernity of the tire’s character – a finish that appears on the main plate and bridges, replacing the traditional Côtes de Genève. The skeletonised rhodium-coloured bridges provide an unobstructed view of the contrasting pink gold elements in the mechanism.

Beautiful aesthetic inspired by the “Jumbo” code
The second RD#3, albeit with a smaller diameter, incorporates the dial aesthetic code of the “Jumbo” model released earlier this year. Similar to its 39mm model, this timepiece features a Petite Tapisserie dial, but for the first time in a vivid plum hue, obtained by chemical vapor deposition (CVD) to ensure a light, even and long-lasting hue across all dials.

Inspired by the original 1972 model, this new reference also includes bathtub-shaped hour markers and hands with a luminous coating for optimal legibility in the dark. The “Audemars Piguet” logo and the minute track are printed in white on the Tapisserie pattern. The rotating titanium flying tourbillon cage at 6 o’clock contrasts with the plum blossom background, creating a captivating aerial effect. moonphase-watch.com

Unlike the Jumbo aesthetic, the handcrafted stainless steel case and bracelet of this 37mm model incorporates the latest design evolution of the collection, which was launched on numerous Royal Oak models at the beginning of the year. The widened polished bevel and the increased taper of the bracelet links give the watch a slimmer profile while enhancing its ergonomic design.

Dedicated “50 Years” oscillating weight
Royal Oak Self-winding Flying Tourbillon The ultra-thin self-winding tourbillon features a central oscillating weight mounted on ball bearings and is equipped with two reversers 2 to ensure bidirectional winding. Specially developed for the 50th anniversary of the Royal Oak, this 22-karat rose gold rhodium-plated oscillating weight is engraved with the “50 Years” logo and the Audemars Piguet logo. Complementing the tones of the stainless steel case and bracelet, it features the collection’s signature polished and satin-brushed finish, which can be admired through the sapphire caseback.

A tradition of technical prowess
In 1986, Audemars Piguet launched the world’s first self-winding tourbillon watch. Conceived by Jacqueline Dimier, the design places the tourbillon escapement on the dial side for the first time. The Calibre 2870 is housed in an ultra-thin case that is only 5.3mm thick. Its titanium tourbillon cage remains one of the smallest in the world today, with a diameter of 7.2mm, and one of the lightest, weighing just 0.123 grams. This model is known as the Tourbillon Self-Winding Ra (a reference to the Egyptian sun god) because Jacqueline Dimier’s design gives the micro-regulator the appearance of a sun, with its rays scattered across the dial. A total of 401 pieces were produced before 1992, this complication opened a new avenue for haute horlogerie,

Thirty years after Jacqueline Dimier introduced the model, the manufacturer known for its innovative ability has launched a series of research and development models. In 2015, Audemars Piguet presented its first RD#1 Royal Oak Concept Minute Question at SIHH after eight years of research with EPFL, EPFL, and an expert group of watchmakers, engineers, and musicians. Table Supersonnerie prototype and sound specialist. With the introduction of the Supersonnerie mechanism, this watch takes an important step forward in terms of acoustic performance, sound amplification and sound aesthetics. 3 Three patents have been filed for the system, which combines a novel timekeeping mechanism with an innovative case structure. The commercial Royal Oak Concept Minute Repeater Supersonnerie version launched a year later,

In 2019, Audemars Piguet introduced a new innovation, with its 41mm Royal Oak Self-Winding Perpetual Calendar Ultra-Thin model showing its prototype at SIHH a year ago under the name RD#2. The 6.3mm-thick calendar watch was powered by a movement that was only 2.89mm thick, making it the thinnest automatic calendar watch in the world at the time. To achieve this feat, the calendar functions normally installed on three levels are concentrated on a single plane. The manufacturer’s specialists have also developed two patented innovations concerning the integration of the end-of-month cam with the date wheel and the association of the month cam with the month wheel. Marking a turning point in the history of complication watches,

This year, the latest technological advancement of the watch factory, the Royal Oak Self-winding Flying Tourbillon Ultra Thin Watch, continues the previous innovations. Powered by the new Calibre 2968, these two RD#3 watches pay tribute to the Royal Oak’s 50th anniversary by combining technical innovation with aesthetic sophistication.

Audemars Piguet’s new-generation 7121 ultra-thin automatic movement Royal Oak’s 50th anniversary is the key to the future

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After Audemars Piguet announced in 2021 that it would discontinue the most popular model of the Royal Oak, the 15202, this year – the 50th anniversary of the Royal series – announced that a new generation of the 16202 will be the successor model. For watch lovers who love Royal Oak fake watches, the most gratifying thing is that the 16202 faithfully preserves the design elements and appearance of the previous generation 15202, or even the more classic first-generation Royal Oak 5402, because it has been upgraded to a brand new one. The developed 7121 movement makes this classic, which has stood for half a century, with a more modern practical functional connotation.

Speaking of this, I have to introduce the 7121 movement. This new generation of ultra-thin automatic movement developed by Audemars Piguet for 5 years is the key core of the 16202 facelift and upgrade. Because watch lovers have always been sensitive to the change of the model, especially for a series that has not changed its movement in the past 50 years, how should the wearer clearly feel the functional upgrade after the change, and at the same time maintain The familiar classic appearance and wearing feel are the important factors that Audemars Piguet fake considered when developing the 7121 movement.

The brand-new model 16202 is launched this year, including stainless steel with blue dial, 18K gold with smoked gold dial, rose gold with smoked gray dial, and platinum with smoked green dial, a total of 4 styles. The diameter of the case is 39mm and the thickness is 8.1mm. The size of the case is exactly the same as that of the previous generation 15202. Other design elements are only slightly adjusted, but the biggest change is actually in the case.

The Royal Oak series that came out in 1972, from the first model 5402 launched to the model 15202, which was discontinued last year, has been equipped with the same 2121 movement for 50 years. The 2121 movement was developed on the basis of the Jaeger-LeCoultre 902 movement, which was born in the late 1960s, with a thickness of only 3.05mm. However, since the 2121 movement adopts the ancient movement structure of the 1960s, some functions, including the accuracy of 19,800vph, the power reserve of 40 hours, and the date display lacking the quick adjustment function, can no longer fully meet the needs of modern people. daily use needs.

Therefore, Audemars Piguet took the 50th anniversary of Royal Oak as an opportunity to launch the new Royal Oak “Jumbo” model 16202. The new 7121 caliber equipped with it not only means that the 2121 caliber that has stood for half a century has left the scene, it has the meaning of inheriting the past. The more substantive purpose is to transform the Royal Oak watch into a more modern watch that is closer to the new generation of users, while preparing for further use in the future.

Core Architecture Upgrade

The most significant upgrade of the new Royal Oak “Jumbo” model 16202 is that it is equipped with the latest 7121 automatic movement. Compared with the 2121 movement carried by the previous model 15202, it is quite impressive whether it is a visual or functional improvement. The first is the first impression of the appearance of the 7121 movement, which are two opposite golden cross-bridge hollow bridges, which respectively fix the balance wheel and the barrel. Not only does it bring a more modern visual impression, but the structural function is also more stable than the 2121 movement.

Then it comes to the most obvious and core architecture upgrade for users. Including the increase of the vibration frequency from 19,800 vph to 28,800 vph, and the increase of the power reserve from 40 hours to 55 hours, which could not be achieved simultaneously under the dynamic conditions of the 2121 movement in the past. Audemars Piguet first used a larger barrel in the 7121 movement as a power source for the long-term and accurate supply of the movement, followed by a ball bearing automatic disc, and a more efficient satellite wheel-type two-way winding. mechanism to improve the efficiency of the chain.

Another detail is the part of the balance wheel. The 2121 movement adopts the design concept of a card-free balance wheel adjusted with 6 weights. The new 7121 movement further sets 6 adjustment weights on the balance. The inner side of the wheel can maintain the smooth outline of the outer edge of the balance wheel, so as to reduce the air resistance generated during high-speed operation, and improve the working efficiency to reduce energy consumption.

The classic appearance remains unchanged and the practicality is improved

In addition, it is about the 7121 movement to improve the user experience. The Royal Oak “Jumbo” is a watch with three needles and a date. For users, there is often a need to adjust the date, but the date fast adjustment function There is no movement structure in the 1960s used by the 2121 movement, so when users need to adjust the date for multiple days, they can only do it through a more time-consuming time adjustment. The patented ultra-thin energy-saving date setting mechanism is added to the new 7121 movement, which not only meets the needs of users, but also takes into account the kinetic energy demand of ultra-thin movement to reduce energy consumption.

In addition to the functional upgrade, another key point of Audemars Piguet’s development of the 7121 movement is to maintain the classic appearance proportion and wearing feel of the Royal Oak “Jumbo”, and the size of the movement is the key. As described above, the evolution of many functional upgrades from the 2121 movement to the 7121 movement is bound to increase the complexity of the movement. However, because of the modern movement design and watchmaking technology, although the total number of parts has increased from 247 to 268, the size of the movement has only slightly increased from 28.4mm to 29.6mm, and the thickness has increased from 3.05mm to 29.6mm. 3.2mm, perfectly controlled within the allowable range, was able to successfully fit into the classic Royal Oak “Jumbo” case with a diameter of 39mm and a thickness of 8.1mm. This also confirms Audemars Piguet’s strong strength in movement technology. fake watches for sale