Audemars Piguet Royal Oak “Bleu Nuit, Nuage 50”

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The three watches in the Audemars Piguet Royal Oak “Bleu Nuit, Nuage 50” series are the 41mm Royal Oak Double Balance Skeleton, the 42mm Royal Oak Offshore Automatic Chronograph and the 43mm Royal Oak Offshore Automatic Chronograph. The following is a detailed introduction:

41mm Royal Oak Double Balance Skeleton
Design: Made of “Bleu Nuit, Nuage 50” ceramic, with a diameter of 41mm. The skeleton design shows the precise mechanical structure of the movement, and the rhodium-toned mechanical parts contrast sharply with the rose gold hands and hour markers, which is very modern and technological. replica watches for sale

Movement and function: Equipped with the automatic Calibre 3132 movement and equipped with a double balance wheel design, it can effectively reduce external interference and improve the accuracy of travel time. The movement is CNC-processed and finely processed by hand, such as polishing the V-shaped angle, showing Audemars Piguet’s advanced technology and traditional watchmaking craftsmanship.

42mm Royal Oak Offshore Automatic Chronograph
Design: The overall appearance is simple and all-blue, with ceramic parts in the “Bleu Nuit, Nuage 50” tone. The dark blue dial, inner bezel and chronograph counters contrast with the steel screws and titanium crown. The white gold hands and hour markers ensure clear and easy reading. The iconic vertical chronograph layout is retained, and the new ceramic bracelet has a smooth and beautiful appearance. Zenith Pilot big date flyback 160th anniversary edition

Movement and function: Powered by Calibre 4404 movement, it has a flyback chronograph function and can be admired through the sapphire case back.

43mm Royal Oak Offshore Automatic Chronograph
Design: Combining stainless steel with “Bleu Nuit, Nuage 50” ceramic, the bezel, buttons and crown are made of ceramic, forming a bold contrast. The dark blue large checkered dial highlights the luminescent white gold hands and hour markers, and the white chronograph markers and tachymeter are easy to read. Paired with a textured calfskin strap and an additional blue rubber strap, it highlights the rugged and sporty style of the Offshore series.

Movement and functions: Equipped with Calibre 4401 movement, it also has a flyback chronograph function. The chronograph counter is light blue, contrasting with the dark blue dial. The movement and rose gold rotor can be seen through the sapphire case back.

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Audemars Piguet Royal Oak – Ceramic “Comparable to Gold”

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Offshore, as the “large-size sports model” of Audemars Piguet Royal Oak, the Royal Oak Offshore Chronograph has launched countless models since its launch in 1993. But today, you can “completely forget” all the past models. Because, in 2021, Audemars Piguet has carried out a “complete upgrade” of the Royal Oak Offshore Chronograph. Now Audemars Piguet’s Offshore Chronograph is mainly for men. These two are:

Royal Oak Offshore Chronograph, model 26238, size 42 mm, small chronograph dial “vertical” layout.

Royal Oak Offshore Chronograph, model 26420, size 43 mm, small chronograph dial “horizontal” layout.

Aude Piguet’s ceramics are comparable to gold.
Players familiar with Audemars Piguet know that the value of Audemars Piguet’s Royal Oak/Royal Oak Offshore and ceramic watches are very high. Let’s not talk about the Royal Oak Perpetual Calendar White Ceramic, which is much more expensive than the public price and worth more than one million. Let’s take the Offshore Chronograph 26238 Ceramic Case and 26238 Rose Gold Case on sale and compare them.

Audemars Piguet’s ceramics are really “comparable to gold”. One of the reasons is that the ceramic models of Audemars Piguet Royal Oak/Offshore are the top ceramic watches in the world of famous watches. Audemars Piguet’s treatment of ceramics is a real “jewelry level”.

The new Offshore Chronograph 26420 Ceramic model uses a black ceramic case, a green ceramic bezel, green ceramic buttons and a green ceramic crown. Except for some edge positions, the watch has a large area of ​​brushed appearance. Let’s look at this brushing. Audemars Piguet’s brushing of ceramics is quite sharp, which is not seen on the ceramics of any other famous watches. Ceramic, because it is hard, needs to be polished with diamond powder, so the appearance of ceramic watches of general famous watch brands is relatively simple (simple polishing or matte). The brushed effect of the Audemars Piguet ceramic fashion men watch is exactly the same as the Royal Oak steel and gold watches, and the gloss of the ceramic makes the effect outstanding.

In addition to the main body of black ceramic and green ceramic, the Offshore Chronograph 26420 ceramic model also uses a little titanium for color matching, such as the crown shoulder and the crown cap, which are all made of titanium.

The Offshore Chronograph 26420 replaces the previous 44mm and 48mm Offshore Chronographs.
The Royal Oak Offshore Chronograph 26420 is a brand new model released in 2021. With a size of 43mm, the 26420 completely replaces all the previous 44mm, 48mm and other large-sized Offshore Chronographs. The 26420 watch has unified the world of “large-size Offshore Chronographs”. At the same time, not only is the size new, but the dial of the 26420 is also new. In the past, the three small counters of the offshore chronograph were “vertically arranged”, while the three small counters of 26420 have been changed to “horizontally arranged”. The 9 o’clock position is the 30-minute counter, the 3 o’clock position is the 12-hour counter, and the small second hand is at the bottom.

The “checkered pattern” on the dial is the iconic feature of the Audemars Piguet Royal Oak. The “checkered pattern” of the Royal Oak has small checkered patterns and large checkered patterns. Since the Royal Oak Offshore Chronograph used small checkered patterns when it was born (1993), the style of the small checkered pattern is retro, and the style of the large checkered pattern is modern. The new offshore chronograph 26420 not only uses large checkered patterns, but also a large checkered pattern of a new design.

We can see that the large checkered pattern of the new offshore chronograph 26420 has an “X” shape connection between the checkered patterns, and the checkered patterns are all decorated with vertical patterns and chamfered. This is a new design of fake Audemars Piguet after 2021, and it has now begun to be popularized on the new offshore model. Like the new Offshore Chronograph 26238 black ceramic model and the new Offshore 15605 large three-hand model, they are already equipped with this “X” large checkered pattern. The 18K white gold hands and hour markers remain the same.

Now, including this Offshore Chronograph 26420, the main models of Audemars Piguet Royal Oak/Offshore/1159 chronographs on sale have been fully replaced with Audemars Piguet 4400 series automatic chronograph movements (this 26420 is specifically 4401). The 4400 series is Audemars Piguet’s new generation of automatic chronograph movements, launched in 2019, to replace Audemars Piguet’s self-produced 3126/3840 modular chronograph movements used in the past, and the purchased 2385 chronograph movement (FP1185).

Now, there are two Royal Oak Offshore Chronographs on sale, the 42mm 26238 and the 43mm 26420. In fact, the 42mm 26238 is more “faithful” to the first generation of the 1993 Offshore Chronograph; while the 43mm 26420 is a brand new design, and it is obviously more avant-garde and trendy. I think this is why Audemars Piguet retains two Offshore Chronographs.

Admittedly, the current public prices of Audemars Piguet Royal Oak/Offshore are not low, and the actual market price is still relatively high. But the Offshore is not acceptable to everyone because of its large size and thickness. Therefore, among the Royal Oaks, the Offshore is relatively easy to get. If you don’t care about the large size of the Offshore, then it will be a good choice among the Royal Oaks. moon-watch.co

Audemars Piguet Code 11.59

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Audemars Piguet launches the Code 11.59 Grand Sonnerie Carillon Supersonnerie Two extraordinary watches showcase the brand’s most complex sonnerie mechanism

To celebrate its 150th anniversary, Swiss luxury watch brand Audemars Piguet launches five new models in the Code 11.59 collection. These include two highly complex models, the “Grande Sonnerie Carillon Supersonnerie”, which perfectly blend traditional craftsmanship, advanced technology and modern aesthetics. In addition, the Code 11.59 collection introduces a new perpetual calendar model equipped with a new movement developed in-house, a tourbillon model and two stainless steel models.

To celebrate this milestone, fake Audemars Piguet also launches new Royal Oak models, including two offshore models, a skeletonized version and two perpetual calendar models.

These watches elegantly combine precious materials such as black ceramic, rose gold and sand gold with modern materials. The dial takes center stage, with one watch made of rare opal and the other showing off the intricate mechanics of its movement through a transparent sapphire dial adorned with beautiful contrasting details. These masterpieces are driven by a manual-winding movement powered by a Supersonnerie mechanism that offers acoustic performance reminiscent of traditional pocket watches. This patented technology was developed in collaboration with the Swiss Federal Institute of Technology in Lausanne (EPFL).

Both watches have a case size of 41 mm and a thickness of 13.6 mm and feature a unique Code 11.59 design that combines straight lugs with a polished bezel. The first watch features a green dial and is crafted entirely in rose gold, while the second has an 18K aventurine case with a black ceramic middle case and crown. The casebacks of both fake watches are engraved with a special inscription commemorating the brand’s 150th anniversary.

The first watch features an 18-carat rose gold case topped with a rare “Harlequin” opal dial that radiates a vivid green glow. This natural gemstone is named after a famous character from a 16th-century Italian improvisational comedy known for his wit and colorful patchwork costumes. The dial is dotted with bright patches of green, blue, red and yellow, highlighting its uniqueness, and is accompanied by a gleaming green inner bezel. The 18-carat rose gold hands complement the polished case, which is engraved with the 150th anniversary emblem on the back.

The second watch features an 18-carat aventurine case with a black ceramic inner structure and crown. The transparent sapphire dial combines aventurine, black and grey tones for a modern, geometric appeal. This watch features a small seconds subdial at 6 o’clock, and the gold hands and hour markers are luminous to ensure optimal readability at all times.

Both “Grande Sonnerie Carillon Supersonnerie” models are powered by the manually wound 2956 calibre. This sophisticated movement combines the complications of the Grande Sonnerie and Carillon, as well as the patented Supersonnerie technology first introduced in the Royal Oak Concept RD#1 collection in 2015. Composed of 498 meticulously handcrafted parts, this innovative movement reflects Audemars Piguet’s commitment to the highest standards of craftsmanship and innovation.

The Grande Sonnerie mechanism strikes the hours and quarters automatically, without user intervention. The Carillon mechanism features three hammers and three gongs, producing a triple tone (high, medium and low) every quarter hour, rather than the traditional two. In addition, the “Petite Sonnerie” mode offers the option of striking only the hours, and can be completely silenced using the silent mode. In addition, the wearer can activate the minute repeater function on demand via the push-piece at 10 o’clock.

Supersonnerie technology was developed in conjunction with the Swiss Federal Institute of Technology in Lausanne (EPFL) to improve acoustic performance and recreate the auditory experience of a classic pocket watch. This patented innovation took eight years to develop, involving watchmakers, engineers, musicians and acoustic experts. It achieves unique sound purity through an innovative case construction, in which the gongs are mounted on a special soundboard rather than directly on the movement mainplate. This enhances sound propagation, ensuring smooth and precise chimes when striking hours and minutes.

The opaline dial version is paired with a green alligator leather strap, while the skeleton dial version is paired with a black fabric strap, both secured with a gold folding clasp. http://www.moon-watch.co

Technical specifications: Audemars Piguet Code 11.59 Grande Sonnerie Carillon Supersonnerie 150th Anniversary
Reference:
26397OR.OO.D417CR.01 (green dial)

26397OR.OO.D417CR.01 (skeleton)
Case:
18K pink gold case, or 18K aventurine case, black ceramic case middle, curved anti-reflective sapphire crystal, case back specially engraved with 150th anniversary logo
Diameter:
41 mm
Height:
13.6 mm
Water resistance:
20 meters
Dial:
Harlequin opal dial surrounded by a glittering green inner ring, 18-karat rose gold baton hands.

Sapphire skeleton dial, sand gold snailed inner ring, small seconds dial at 6 o’clock

Movement:

Manual winding, Caliber 2956, in-house, diameter 29.9 mm, thickness: 5.9 mm, 498 parts, 53 jewels

Power reserve:

48 hours

Frequency:

21,600 vph (3 Hz)

Functions:

Hours, Minutes, Small seconds (skeleton version),

Minute repeater,Large clock,Small sonnerie

Bracelet/Strap:

Green alligator leather and black textured strap with 18K rose gold AP folding clasp

Introducing the Audemars Piguet x Kaws Royal Oak Concept Tourbillon ‘Companion’

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Twenty

Audemars Piguet fake has a history of incorporating pop culture concepts into its ultra-high-end Royal Oak Concept platform. Perhaps most famously (or infamously) over the past few years, our friendly neighborhood Spider-Man, as well as the King of Wakanda, have appeared on the dials of Concept Tourbillons, all in partnership with Marvel. This time around, Audemars Piguet has teamed up with Brooklyn-based artist Kaws to create a fresh interpretation of the Concept Tourbillon with the artist’s iconic character designs.

Kaws, whose real name is Brian Donnelly, rose to fame in the late 1990s with his graffiti interventions in New York City, eventually making a name for himself in the contemporary pop art world with toy creations inspired by his street art aesthetic.

Most notable is Kaws’ Companion character, a skull and crossbones image modeled after a famous rubber hose cartoon mouse, which you’ve no doubt seen in many forms – from vinyl toys to numerous apparel collaborations with brands like Nike and Uniqlo, to name a few.

Now, Audemars Piguet has incorporated the Companion character into the Royal Oak Concept Tourbillon, featuring the iconic skull, gloves, and, of course, X-shaped eyes. In this version, the Companion appears to be peering out from behind a sapphire crystal, with the Companion’s gloves and face sculpted to make the character appear to be clinging to the glass. Made entirely of brushed and sandblasted titanium, the character sits atop a sunburst brushed titanium dial, with the tourbillon cage itself visible from its chest. The skull’s X-shaped eyes are painted grey. replica watches usa

Unlike other character-oriented concept tourbillons we’ve seen, this time the character at the center of the dial is not obscured by the hour and minute hands. For this version, Audemars Piguet has introduced a new peripheral time display featuring titanium hour and minute hands set on roller-guided gears. The inner titanium bezel has five-minute markings, and both the markers and hands are luminescent.

Driving the new outer bezel time display is the new manual-winding Calibre 2979, which features a 60-second tourbillon and a frequency of 3Hz. The movement bridges are treated with black PVD as another nod to the artist, and the movement ratchets are skeletonized with another Kaws X motif. The Audemars Piguet logo and other text are laser-engraved and painted white for contrast.

Although similar in appearance, the case of this concept tourbillon is slightly larger than the 42mm Spider-Man and Black Panther concept tourbillons, at 43mm. Like the other 43mm Royal Oak Concept models, this case also has some angular inserts added to add more contrast to the already faceted titanium case. The crown is made of black ceramic, and the caseback is printed with Kaws’ signature and the words “Limited to 250 pieces.” Holding all the parts of the case together are eight hexagonal “screws”, marked, of course, with Kaws’ trademark “X”.

The mens replica watch is paired with a dark grey calfskin strap and a slate grey calfskin strap, both embossed with a textile pattern.

Well, see. I’m the kind of person who goes to Comic-Con every year, finds a booth that’s always full of Kaws dolls, and stands in front of it for half an hour, wondering if I’ve ever paid as much for a second-hand cartoon doll with an X on its hand as I did for a Rolex. The answer is no, but dreams can come true. So I’m not surprised to hear me say that this collaboration makes me very happy.

If you’re not into modern consumerist art like Kaws, then it’s safe to say that this watch may not be for you. But in a world where both watch and toy collectors can spend a disproportionate amount of their income on collecting sought-after items, and where some works by artists like Kaws fetch millions of dollars at auction, it’s only natural that the 250 watches being produced will find buyers, just as the Marvel collaboration did at this price point. For a die-hard Kaws collector whose home is undoubtedly filled with art and sculptures, adding the artist’s touch to the watch seemed like the final break – finally, they have a rare edition they can wear with them.

From a concept standpoint, I really think this collaboration was well done. Compared to the Marvel collaboration, Kaws’s art and AP’s watchmaking seem to complement each other this time around. The engraving of the titanium Companion complements the shape of the watch and is very self-aware and unique. The metal figure also serves another purpose, as I usually associate most Companion figures with vinyl or wood. The texture and contrast of the brushing and sandblasting here works well and gives it a fresh feel.

Audemars Piguet is undoubtedly developing this new movement with a peripheral time display with the intention of using it as a platform for future character-centric collaborations, whether with Kaws or not. It’s a much better system for these designs than a traditional mobile, so I’m curious to see what other artists or pop culture properties Audemars Piguet might collaborate with in the future. But for now, this Le Brassus and Brooklyn piece will be the one to watch.

Brand: Audemars Piguet
Model: Royal Oak Concept Tourbillon “Companion”
Ref: 26656TI.GG.D019VE.01

Diameter: 43 mm
Thickness: 17.4 mm
Case material: Titanium
Dial color: Gray
Hour markers: Inner ring with five-minute markers
Luminous: Yes
Water resistance: 100 meters
Strap/bracelet: Interchangeable light gray and slate gray calfskin straps

Movement
Movement: Calibre 2979
Functions: Hours, minutes, 60-second tourbillon
Diameter: 32.3 mm
Thickness: 10.4 mm
Power reserve: 72 hours
Winding: Manual
Frequency: 21,600 VpH / 3 Hz
Number of jewels: 39

Audemars Piguet’s Latest New Releases for 2024

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Respected Swiss watchmaker Audemars Piguet copy has once again stunned the watch world with another batch of new releases for 2024. While they have already brought us watches like the John Mayer Royal Oak, the theme of this new batch is “Shaping Materials”.

This theme is the foundation of the brand’s innovative design and creative technology, reflecting the fusion of traditional craftsmanship with modern aesthetics and material science to create a series of watches that enter unknown territory for the most eclectic member of the trinity. Under the leadership of new CEO Ilaria Resta, Audemars Piguet has shown that it wants to continue to push boundaries with a series of watches that showcase bold textures, colors, shapes and impressive craftsmanship.

[RE]Master02 Automatic
As with any list of great new releases, we have to start with the newest and best of all the new releases, so here we are with the new [RE]Master02 Automatic, a continuation of the [RE]Master series, with AP taking inspiration from its historical catalog full of incredible copy luxury watches.

A contemporary reinterpretation of an asymmetrical 1960s style, this 41mm watch is crafted in the brand’s new 18-carat sand gold alloy, paying homage to the Brutalist architectural movement, which was characterized by sharp lines, bold angles, and a blocky aesthetic. The dial features a striking midnight blue, with twelve triangular elements separated by sand gold partitions, creating a mosaic-like effect that echoes the style of the Brutalist case.

The right side of the sapphire crystal features a unique 15.8-degree bezel, which required two years to develop the perfect sapphire crystal due to its difficulty in production. The attention to detail extends to the interior of the watch, where this new model is equipped with the ultra-thin automatic 7129 movement. Based on the 7121 movement, this movement produces more energy due to a larger barrel and features an asymmetrical rotor that echoes the shape of the case. Limited to just 250 pieces and priced at CHF 41,100, the [RE]Master02 reflects Audemars Piguet’s growing interest in reviving historic designs with a modern twist.

Royal Oak Automatic All Gem Watch
Designed with a vibrant gemstone camouflage pattern, the new Royal Oak Automatic All Gem Watch is sure to attract attention, with 861 baguette-cut gemstones arranged in gradient shades of blue or green, brown and black. This creative use of gemstones is reminiscent of pixelated patterns seen in modern fashion collections and digital camouflage patterns, transforming the Royal Oak into a luxurious yet playful piece that brings a fresh take on an iconic design.

Code 11.59
As one of AP’s entry-level offerings, the Code 11.59 collection also welcomes two new diamond-set models. Available in 18kt white or rose gold, these 38mm watches feature dials set with brilliant-cut diamonds and colored sapphires arranged in a kaleidoscopic pavé pattern. In addition to the dial, these two watches also feature diamond-set cases and winding crowns, and AP has taken the Code 11.59 collection further to the top of the experimental ladder.

Royal Oak Petite
The launch of the Royal Oak Mini Frosted Gold models marks a major addition to the Royal Oak collection. Measuring just 23mm, these miniature watches are available in yellow, white or pink gold and feature a frosted gold finish. This technique, pioneered by Florentine jeweller Carolina Bucci, adds a jewellery-like quality to the copy swiss watches without the need to add any gemstones, making them ideal for slender wrists and giving them a rather unique aesthetic.

Despite their small size, these watches retain all of the iconic design elements of the Royal Oak collection, including the Petite Tapisserie dial, octagonal bezel and signature integrated bracelet. Powered by the quartz calibre 2730 and with a battery life of up to seven years, these watches are not only beautiful, but also functional. Just as the [RE]Master02 was inspired by AP’s past, these petite models harken back to the brand’s history of creating small, technically innovative watches, such as the 20mm Royal Oak Mini introduced in 1997.

Other Notable Releases:
In addition to these eye-catching models, Audemars Piguet has introduced several other noteworthy models. The 37mm Royal Oak Double Balance Wheel features a skeletonized design and a monochromatic color scheme with hints of blue and gold. Showcasing the brand’s historical expertise in skeletonized watches, this model combines technical prowess with aesthetic appeal and is available in either 18kt white or 18kt rose gold.

Finally, AP has introduced a 34mm Royal Oak Automatic in Frosted Gold, available in either white or yellow gold. In addition to the frosted gold finish, this watch features a textured, fascinating pattern on the dial, which is handcrafted by the brand’s artisans to give off the same jewel-like sheen as the rest of the watch.

A testament to innovation and craftsmanship
These latest launches are a testament to the brand’s relentless pursuit of innovation and excellence, including the boldly inspired new [RE]Master02 and the dazzlingly iconic Royal Oak Automatic All Gem, each of which embodies a unique blend of tradition and modernity. The theme of “shaping the material” is reflected throughout the collection, as is the company’s new CEO’s commitment to the watches, who strives to showcase the brand’s commitment to pushing the boundaries of watchmaking and design while remaining rooted in its history. As Audemars Piguet continues to evolve under new leadership, these latest launches help to solidify its position as a leader in luxury timepieces.

The refined aesthetics of the 37mm Royal Oak Double Balance Skeleton

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Swiss luxury watchmaker Audemars Piguet is pleased to unveil two new Royal Oak Double Balance Skeleton models for smaller wrists

These 37mm new creations are crafted in 18-carat white or rose gold, giving the watches an elegant tone-on-tone aesthetic that contrasts with the colored inner bezels in light blue or purple. Elegant and sophisticated, these two watches are equipped with a self-winding caliber 3132 movement, and their skeletonized construction highlights the dexterity of Audemars Piguet’s artisans.

Elegant Monochrome

The cases and bracelets of the two new 37mm Royal Oak Double Balance Skeleton models are crafted in 18K white or rose gold. This precious metal complements the collection’s signature refined finishes, alternating between polished and satin-brushed surfaces that shimmer in the light and highlight the Royal Oak’s geometric structure.

The color of the gold echoes the rhodium and pink gold-toned finishes of the movement, creating an elegant monochromatic aesthetic. In the 18K white gold version, the engraved pink gold hands and indices with luminescent material contrast with the rhodium-colored movement, while the light blue inner bezel highlights the movement’s many details. The pink gold version features white gold hands and indices, also filled with luminescent material. The pink gold-toned skeletonized movement is further highlighted by the vivid purple inner bezel, adding a touch of color and modernity to the watch. The “Audemars Piguet” logo is printed on the sapphire crystal back of both replica swiss watches.

Both watches come with a “large square scale” alligator leather strap that matches the color of the inner bezel, adding a touch of contrast and elegance to the design.

Patented automatic movement

These new models are equipped with the Calibre 3132 automatic movement with a double balance wheel. This patented innovation, launched by Audemars Piguet in 2016, improves the watch’s precision and stability. By assembling two balance wheels and two hairsprings on the same axis, the system can oscillate in perfect sync. The double balance wheel is visible on both sides of the case, allowing the heart of the watch to be seen.

The skeletonized bridges on both sides of the watch reveal parts of the gear train. Their geometry is cut using computer numerical control (CNC) machining and then finely machined to the desired shape. Each component is then finished and decorated using age-old techniques. The polished V-shaped angles reflect the craftsmanship that goes into the production process, as this level of precision can only be achieved by hand.

The skeletonized oscillating weight matches the color of the case and harmoniously completes the contrasting design of the new fashion watch.

The art of skeletonization

Skeletonization has been a hallmark of Audemars Piguet since the 1930s, combining beauty with function. The skeletonization technique involves removing as much material as possible from the mainplate and bridges to let light through, revealing the beauty and sophistication of the mechanism without compromising functionality. As such, skeletonization requires true watchmaking savoir-faire and a deep knowledge of materials and finishing techniques.

In the early 1970s, encouraged by their elders, several young watchmakers at Audemars Piguet decided to rediscover the skeletonization technique that had been gradually abandoned after the 1950s and set up the brand’s first workshop dedicated to this technique. Georges Golay, then Audemars Piguet’s director, was visionary and set an ambitious challenge for the craftsmen: to create 100 skeletonized watches with 2120 movements, a meticulous task that required 150 hours of production per movement. The first watch (reference 5442) was delivered in November 1973, and 30 more were delivered between then and 1976. In 1978, the Audemars Piguet watch factory produced 300 skeletonized watches equipped with 2120 movements. By 1984, the workshop employed more than a dozen craftsmen.

In the early days of the Royal Oak series, the movement was hidden inside the case. The advent of quartz redefined the rules of watchmaking, prompting the industry to showcase the beauty of mechanical movements and the traditional skills required to make them. Skeletonisation first appeared in 1981 on a Royal Oak pendant (reference 5710BA), followed in 1986 by reference 25636, which housed the ultra-thin perpetual calendar calibre 2120/2800. However, it was not until the 1990s, when Royal Oak models of all shapes and sizes emerged, that this delicate art found its place in the collection, debuting in 1992 in the “Jumbo” collection.

Over the decades, the Royal Oak collection has grown to include around 50 skeletonised wholesale cheap watches, each with a different movement, in a variety of sizes, materials and styles, all reflecting the passion and expertise passed down from generation to generation. Today, these new 37mm creations continue to combine craftsmanship with refined refinement.

Hands-on: Audemars Piguet’s stainless steel Code 11.59 wins over the doubters of the collection

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The Audemars Piguet Code 11.59 has been a hot topic of debate since its debut in 2019. To be fair, like other references throughout history such as the Royal Oak, this series did not gain immediate unanimous approval among wholesale watches replica enthusiasts. Due to the huge anticipation surrounding the release of this watch and the aggressive marketing campaign that followed its launch, the standards for the Audemars Piguet Code 11.59 were raised to such a high level that it came under intense scrutiny. Of course, as a work of Audemars Piguet, it will inevitably cause huge discussions anyway. Balancing social media sentiment, though, the considered opinion seems to be that the series has its quirks but is also a real basis for potential growth. In the years since, the series has continued to evolve with improved phones and watch faces. And, at the high end, looking at their skeletonized and high-complexity references, the model’s promise becomes increasingly clear. The only thing left to be said is to bring the entry-level offering in the range up to spec, and now it appears that the holy trinity of manufacturers has done just that with Audemars Piguet’s new stainless steel model, the Code 11.59.

Previously, Audemars Piguet Code 11.59 was limited to precious metals. The introduction of steel material allowed the watches to be sold at a lower price, making the series more accessible to newcomers to the brand. The steel part of the Audemars Piguet Code 11.59 is available in six configurations, including three time and date models and three chronographs. Each watch comes in the same three dial/strap colorways: blue, green and smoked beige. I mention these dial colors up front because the blue and green models have 41mm stainless steel cases, while the smoked beige model continues AP’s trend of pairing metal with ceramic – with black ceramic for the middle case and crown. From a manufacturing perspective, the complex structure of the Audemars Piguet Code 11.59 case took some time to develop, but the result is exactly what we’ve come to expect from the collection.

As I explained in my previous review, the casemaking process draws on three centuries of watchmaking, combining traditional finishing with cutting-edge modern manufacturing and processing. For example, a heated conveyor belt system is used to create and form the lugs (modern technique), but they are then hand-polished using the roots of a specific tree (classic technique). The slender details on the lugs really enhance the aesthetics of the watch, while the chamfered lines of the stainless steel remain eye-catching. These polished surfaces are complemented by rich brushed finishes – a perfect balance of mixed finishes that evoke the light play associated with the brand.

Apparently, while both cases have a diameter of 41mm, the time and date model and the chronograph model differ in thickness. The time and date model is even slimmer at just 10.7mm thick, while the chronograph model is just under 13mm thick at an impressive 12.6mm thick. In my experience, both measurements fit the cuff and both slipped easily under my sleeves. Each part of these fashion replica watches measures approximately 50mm lug-to-lug, so their proportions on the wrist are by no means classic. That being said, I feel like I can fit them on my small 6.5 inch wrist so that I don’t prematurely assume I can’t use the size without trying it “in the metal.”

One improvement challenge I have is to increase the depth rating if possible, the current splash depth is only 30 metres. While these watches are rigorously constructed and elegantly decorated, being water-resistant to 50 meters or more brings a whole new dimension to everyday wear and versatile functionality.

Now, I’ve already mentioned the blue, green, and smoked beige color options, but the real visual evolution in Audemars Piguet’s new steel Code 11.59 watch is its new embossed guilloché dial. Kaenael developed it together with Swiss guilloche artisan Yann von Kaenel, who is responsible for handcrafting the seals used to produce the time and date as well as the chronograph dials. The hand-engraved imprint features a wave pattern extending outward from the center of the dial and is punctuated with hundreds of small holes to enhance sunburst reflections. While the chronograph models continue to use the controversial 4:30 position for displaying the calendar complication, the time and date models have been updated to place the calendar at the 3′ position. This small detail will go a long way to potential buyers in the hobby space. Another aspect that dial purists will appreciate is that the color of the date wheel matches the dial perfectly, with the smoked beige model featuring a black disc that blends in with the smoked periphery. And, speaking of the smoked beige configuration, these models incorporate ceramic middle cases and crowns, as the black color of the material combines with the black outer edge of the smoked dial.

Beneath the double-curved anti-reflective sapphire crystal, the inner bezel features a raised ring with indices, which then slopes down into the embossed dial. For the chronograph model, the flat part is home to the tachymeter scale and the sloping part is home to the outer minute track. For time and date models, the flat portion hosts the outer minute track, and the skewed portion hashes to support the applied hour index. Ultimately, design choices allow the center of the stamping to be disturbed as little as possible – in the case of the time and date model, strictly the luminous-applied indexes, in the case of the chronograph model, the indexes and three registers.

While it’s great from a legibility standpoint, I’m still ambivalent about the running seconds counter at 6 feet. You’ll notice that this register has a different format than the elapsed hours register at 3′ and the elapsed minutes register at 9′. The elapsed time recorder has a contrasting ring surrounding an internal colored badge. However, the running seconds counter does not respect this boundary. And, especially on the blue model, the counters are in full contrasting gray (while the green model has full green counters to match its dial). The bezel-less aesthetic makes it easy to see that the 6′ register doesn’t offer the same timing capabilities as the other two registers. Personally, I would like more uniformity between registers and trust myself to differentiate functions. Ultimately, symmetry and balance are maintained – with a contrasting second counter positioned dead center between the two registers in a matching layout style. So, it’s not the end of the world, it’s “what if”? Then try anything else. ladies replica watches

Typically, a collection like this would be paired with a traditional calfskin or alligator leather strap, but I respect Audemars Piguet for exploring a more contemporary strap pairing. That makes sense considering the collection is being positioned as the future of the brand, or at least its latest evolution. So breaking with tradition and going with a textile upper and leather sole is a fitting move in my opinion. It offers a more youthful aesthetic, implicitly reminding its owner that you don’t need to wear a suit to wear this watch. Its casual feel eliminates stiffness, making it suitable for everyday wear. Personally, I find the strap to be very comfortable on my wrist. I do think, however, that for smaller wrists like mine, it would be worth punching two more holes in the strap to accommodate a better fit. But it’s a simple enough operation for an AP or a trustworthy watchmaker to perform for you if needed. The strap is also specially rubberized to protect against moisture and is secured to the case with screws rather than spring bars. This only adds to my argument that adding depth ratings would be a great evolution.

Both watches are powered by automatic movements with a 70-hour power reserve, caliber 4302 for the time and date model and caliber 4401 for the chronograph model. While perhaps different from the skeletonized models in the Audemars Piguet Code 11.59 series, the movement’s craftsmanship is in keeping with the brand’s reputation. Traditional perlage, Côtes de Genève and fine chamfers can be seen throughout the movement, thanks to the skeletonized solid gold oscillating weight, which also features rich polishes and bevels. The 4401 movement is a vertical clutch column wheel flyback chronograph movement, which means you can run the chronograph continuously, reducing component wear, and reset the chronograph complication without having to stop the chronograph complication first , this practice will damage the standard chronograph movement.

Audemars Piguet’s new Code 11.59 stainless steel watch proves that the collection has truly come of age – we’re well beyond the awkward adolescent stage. At the high end, things have heated up, but the entry points are also very strong now. The metal stamped dial looks great, the strap is super comfortable, and the case finish is top-notch as always. The use of steel has certainly opened the door for buyers to interact with the collection and the brand, and its strategic and aesthetic refinements—at least within my #watchfam circles—are convincing more and more people that this collection is worth exploring.

Brand Audemars Piguet
Model Audemars Piguet Code 11.59 Automatic / 41mm
Housing dimensions 41mm (D) x 10.7mm (L)
Case material stainless steel (15210ST.OO.A343KB.01 / 15210ST.OO.A056KB.01)
Stainless steel with black ceramic middle shell (15210QT.OO.A064KB.01)
Water resistance 30m
Dial Bleu Nuit, Nuage 50 (15210ST.OO.A343KB.01)
Green (15210ST.OO.A056KB.01)
Smoked beige (15210QT.OO.A064KB.01)
Crystal Double curved anti-reflective sapphire crystal and exhibition caseback
Strap Dial-matching leather and rubber strap with stainless steel AP pin buckle
Mobile automatic movement 4302
Power reserve 70 hours
Functions hours, minutes, seconds, date
​

The common thread of being a legend: AUDEMARS PIGUET joins hands with Montreux Jazz Festival

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We have heard of collaborations between luxury automatic watches brands and famous cars. After all, the common concepts of seeking speed limits and minute-to-second precision are easy to understand intuitively. As for the mutual symbiosis between watches and music? They all extend from theoretical calculations to perceptual expressions. They also share the incomparable passion for creation and the endless pursuit of technology. If you look closely, you will find that there are so many echoes of concepts in them. Therefore, the cooperation between AUDEMARS PIGUET and the Montreux Jazz Festival in Switzerland not only guides us to discover some commonalities between music and watch art, but also highlights the core values ​​that both parties attach equal importance to.

In jazz, the individual technical talent of the musicians is of course highly respected, but the truly moving phrases only emerge when the parts and instruments blend together; just like clockwork, each component is of course of vital importance. The angles and corners are all part of an excellent timepiece, and only when the mechanical structure is perfectly engaged and operates accurately can the delicate hand-finished polishing of the parts and the calculated perfect visual proportions be meaningful.

On the jazz stage, superb skills, unique personalities, interactions between musicians, audiences, and band members trigger unique encounters one after another; is this experience the same as what AUDEMARS PIGUET watches bring to us? The emotions are quite similar? This year, the brand collaborated with brand ambassador Mark Ronson to jointly plan a unique music experience on the closing night of the Montreux Jazz Festival, writing a new chapter in cross-border cooperation. audemars piguet royal oak skeleton

To make people excited, you must first interact with them
Watches and music can create legends by connecting with people

If you like jazz, you must be a person who is willing to explore infinite possibilities and has an open and diverse taste perspective, because there are so many aspects that can be appreciated in jazz, such as melody, rhythm, harmony, improvisational interaction of musicians, and dazzling skills; it can be closely related to Various music styles merge and intersect with each other. At the same time, jazz always has its own style, which sounds like a unique “jazz flavor”. This characteristic of being both integrated and overflowing with individuality, pursuit of excellence and courage to innovate may be one of the reasons why AUDEMARS PIGUET joins hands with the Montreux Jazz Festival.

In the minds of music fans around the world, the Montreux Jazz Festival in Switzerland is a legendary international stage. Since its inception in 1967, it is the oldest and second largest jazz festival in the world. Every year in early July, the city of Montreux, located on the north shore of Lake Geneva, Switzerland, holds a 16-day music festival. Up to 250,000 audiences flock to this Swiss town, and countless top musicians and emerging musicians in the music world will appear one after another. Performance.

Nothing is more exciting than music’s interaction with people. Just like the most fascinating thing about jazz is the moments when the musicians perform “out of sequence”. The freer rhythm tests the tacit understanding of the band members, thereby giving different styles of interpretation of classic music and gorgeous dazzling skills. It is also most likely to explode at this moment! Whether it is the sparks of interaction between band members or the mutual exaggeration and blending of the audience’s emotions, the connection with people is the key to achieving a perfect performance and creating classic works.

Since 2010, AUDEMARS PIGUET has begun to support the Montreux Jazz Festival’s digital collection project. The goal is to digitize all the audio and video materials of the music festival to preserve this batch of songs selected for UNESCO’s Memory of the World Register. “A priceless treasure. In 2019, the two parties not only became global partners, but the brand further promoted the music sponsorship program and promoted cooperation with brand ambassador Mark Ronson.

Due to the increasingly grand scale of today’s Montreux Jazz Festival, the content of the performances is no longer limited to jazz music, but includes a variety of different types of musicians to perform on the stage. Paying attention to historical inheritance, while being able to advance with the times and be brave in innovation, these are the same core values ​​that AUDEMARS PIGUET is proud of. audemars piguet royal oak offshore diver replica

How does a watch pay tribute to music?
Move people’s hearts with rhythm through scenes most familiar to musicians

AUDEMARS PIGUET’s support and love for music and art have not only become a partner of the music festival, but also become the exclusive design vocabulary of the watch. The brand understands that watches, like music, are worthy of perseverance and idealism. These arts that constantly pursue excellence are certainly very suitable to be given a lofty image, but the most important element is always the close connection with people and the sincere interaction of emotions – —that is, how to move people’s hearts. The Royal Oak Offshore Music Limited Edition watch is the brand’s tribute to the world’s music scene and the musicians who devote themselves to creation and work tirelessly.

The brand chose a very bold design that can even be said to be a brand precedent. The Royal Oak Offshore’s classic “Tapisserie” plaid surface is printed with a colorful audio equalizer pattern; the strap resembles an audio plug. The interface and the crown guard bridge, which is like a mixer pusher, directly express the inspiration that music brings to watch creation through scenes that are all too familiar to musicians. Prior to this, this music limited edition watch has been launched in five different material styles. This year’s new model is a black ceramic case with a diameter of 37mm, paired with a black easy-to-change “mosaic” textured rubber strap. Among monochromatic tones, the ups and downs of the color equalizer make it more dynamic.

Brand Ambassadors Steering the 2023 Music Festival Show
A live performance is a wonderful journey

At this year’s Montreux Jazz Festival, AUDEMARS PIGUET invited brand ambassador Mark Ronson to jointly plan a unique music show on the closing night. This currently active producer and composer who has won seven Grammy Awards has collaborated with top singers and bands: Bruno Mars, Adele, Paul McCartney, Miley Cyrus, Duran Duran… too many to mention The single “Shallow” he co-wrote for the movie “A Star Is Born” won an Academy Award. He served as the album’s executive producer and co-composer of the soundtrack for this year’s “Barbie” live-action movie.

If a music performance simply pursues smoothness and excitement, then a gathering of top performers from all fields will surely satisfy the audience; but being on the historic and legendary stage of the Montreux Jazz Festival, it was once the springboard for many music superstars before they became famous. Mark Ronson and AUDEMARS PIGUET both hope to create a more meaningful performance.

Therefore, Mark Ronson invited many music industry masters who have jointly recorded the classic songs of superstars such as Amy Winehouse, Lady Gaga, and Bruno Mars to gather together and perform on the same stage; at the same time, he spared no effort to support the underachievers, and with the new singer Yebba who can write and sing, and Rhythm and blues singer Lucky Daye collaborates, drawing on the rich experience of senior musicians to help newcomers in the music industry who are preparing to climb to the top. replica watches Best

We often say that watch collection is like a journey, and the music show of AUDEMARS PIGUET and Mark Ronson’s “Dream Band” is not only a live performance of dozens of minutes, but also a period of inspiration, generational support and extraordinary creation. The creative process. This musical experience conveys to the audience about the talents of musicians, collaboration and the final moving results. What makes all this happen is the wonderful moments experienced by the brand, ambassadors, band members, watch fans and audiences around the world.

Audemars Piguet collaborates with designer Matthew Williams

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Audemars Piguet Replica Watch Royal Oak Chronograph 41 1017 ALYX 9SM Yellow Gold 26240BA.OO.1320BA.01

A minimalist collaboration from the designer’s own collection.

Four new timepieces for the Royal Oak and Royal Oak Offshore have been released, including a unique piece that forms part of this latest collaboration. Made in a mix of gold, white gold and two-tone, all pieces feature the Audemars Piguet and Matthew Williams own brand 1017 ALYX 9SM logo on the dial and rotor.

initial thoughts
It’s great to see a collaboration like this happen. When Matthew Williams, with his fashion and design pedigree, enters the world of watches, it is always worth keeping an eye out, as they are bound to bring a fresh and unique perspective. Here, however, he appears to have simply taken designs he had previously made at MAD Paris and asked Audemars Piguet to make them. The only visual difference is that the original had a round brushed dial whereas these are vertical brushed dials.

While the diversity of case sizes and metals is appreciated, it’s clear that the designs are not original, with the only real difference perhaps being that the date window has been removed from the standard Royal Oak.

The Royal Oak Chronograph and Royal Oak Offshore Chronographs share the same aesthetic treatment that is pleasing to the eye and makes for a cohesive collection. With its two-tone case and dark PVD-coated dial, this unique piece offers a pleasing contrast and looks just right for streetwear maverick Williams.

No price has yet been revealed for the pieces, nor how many will be produced. All we know for sure is that they’re hard to come by for all but the brand’s top customers.

street smart
Releasing five new models at once for a limited time is an unusual move for Audemars Piguet. All five dials feature a vertical brushed, minimal dial with no markings. Each dial bears the Audemars Piguet and 1017 ALYX 9SM branding, as does the movement rotor. Everything else is as you’d expect from the original model.

Starting with two Royal Oak models, a chronograph-only watch. 15550BA in yellow gold with matching dial. The main difference from the standard model is the absence of the date window, in fact the date function is said to have been completely removed from the movement rather than just covered by a solid dial. The movement is a self-winding movement. The 5909 fits into a case that is 37mm wide and 9.1mm thick.

The Royal Oak Chronograph is a variant of ref. 26240BA is made of all gold, and its appearance matches the pure chronograph version. Likewise, the date window is gone, and there are no markers to read the time or chronograph functions. It’s slightly oversized at 41mm in diameter and 12.4mm deep, and it comes with an auto-calibration feature. 4409 inside. https://www.moon-watch.co

Moving on to the two Offshore models, the only difference between the two is the case metal, one being white gold and the other yellow. They have a distinctive Offshore style for the case, buttons, and strap, but unlike the other two, they retain the date window. Run off calibration. 4404, slightly larger in size than the Royal Oak Chronograph, at 42 mm wide and 15.2 mm thick.

Finally, this unique piece comes in two-tone – gold and stainless steel – Royal Oak Chronograph. Dimensions and functions are the same as the limited edition, but the gold dial is treated with a black PVD coating and all text and hands are in gold for a good contrast. The single watch will be auctioned off at the launch event in Tokyo to help raise funds to support charities that educate and entertain disadvantaged children.

Overall, the design influence Williams has created is palpable, and Audemars Piguet’s trust in him spreads across four limited editions and one unique piece.

Audemars Piguet x 1017 ALYX 9SM Royal Oak Automatic Ref. 15550BA.OO.1356BA.02
Diameter: 37mm Height: 9.1mm Material: Yellow Gold Crystal: Sapphire Water Resistance: 50 m
Movement: Cal. 5909 Functions: Hours and minutes Winding: Automatic Frequency: 28,800 vibrations per hour (4 Hz) Power reserve: 60 hours
Strap: matching bracelet

Audemars Piguet x 1017 ALYX 9SM Royal Oak Automatic Chronograph Ref. 26240BA.OO.1320BA.01
Diameter: 41 mm Height: 12.4 mm Material: Yellow Gold Crystal: Sapphire Water Resistance: 50 m
Movement: Cal. 4409 Functions: Hours, minutes, small seconds and flyback Chronograph Winding: Automatic Frequency: 28,800 vibrations per hour (4 Hz) Power reserve: 70 hours

Audemars Piguet x 1017 ALYX 9SM Royal Oak Offshore Chronograph Ref. 26238BC.OO.2000BC.01
Diameter: 42 mm Height: 15.2 mm Material: Platinum Crystal: Sapphire Water resistance: 50 m
Movement: Cal. 4404 Functions: Hours, minutes, small seconds and flyback Chronograph Winding: Automatic Frequency: 28,800 vibrations per hour (4 Hz) Power reserve: 70 hours
Strap: matching bracelet

Audemars Piguet x 1017 ALYX 9SM Royal Oak Offshore Chronograph Ref. 26238BA.OO.2000BA.01
Diameter: 42 mm Height: 15.2 mm Material: Yellow Gold Crystal: Sapphire Water Resistance: 50 m
Movement: Cal. 4404 Functions: Hours, minutes, small seconds and flyback Chronograph Winding: Automatic Frequency: 28,800 vibrations per hour (4 Hz) Power reserve: 70 hours
Strap: matching bracelet

Audemars Piguet x 1017 ALYX 9SM Royal Oak Automatic Chronograph Ref. 26240SA.OO.1320SA.01
Diameter: 41 mm Height: 12.4 mm Material: Gold and stainless steel Crystal: Sapphire Water resistance: 50 m
Movement: Cal. 4409 Functions: Hours, minutes, small seconds and flyback Chronograph Winding: Automatic Frequency: 28,800 vibrations per hour (4 Hz) Power reserve: 70 hours
Strap: matching bracelet

Common ground as legends: AUDEMARS PIGUET and Montreux Jazz Festival

zelin0802

It is often heard that Buy replica watches brands cooperate with famous cars. After all, it is easy to intuitively understand the common concept of seeking the speed limit and precise minutes and seconds; as for the compatibility of watches and music? They are all extended from theoretical calculation to emotional expression. They also share the incomparable enthusiasm for creation and the endless pursuit of technology. After careful exploration, there are so many echoes of ideas. Therefore, the cooperation between AUDEMARS PIGUET and the Montreux Jazz Festival in Switzerland not only guides us to discover some commonalities between music and watch art, but also highlights the core values that both parties value equally.

In jazz, the personal skills and talents of the musicians are of course highly respected, but the truly moving phrases will only emerge when the voices and instruments blend with each other; Angles and horns are all part of an excellent timepiece, and only when the mechanical structure is perfectly fastened and operated precisely, the delicate hand-polished and polished parts and the calculated perfect visual proportion can be meaningful.

On the stage of jazz, exquisite skills, unique personality, interaction between musicians, audience and band members trigger unique encounters one after another; whether this experience is the same as AUDEMARS PIGUET Audemars Piguet’s watch brings us the touch Quite similar? This year, the brand joined hands with brand ambassador Mark Ronson to plan a unique music experience on the closing night of the Montreux Jazz Festival, writing a new chapter for cross-border cooperation.

To be exciting, you must first interact with people
Watches and music, connecting with people, can make legends

If you like jazz, you must be a person who is willing to explore infinite possibilities and have an open and diverse taste perspective, because there are so many aspects to appreciate in jazz, such as melody, rhythm, harmony, improvisational interaction of musicians and showing off skills; it can be compared with Various music styles blend and intersect. At the same time, jazz always has its own style, which sounds like a unique “jazz flavor”. This kind of characteristic that is both integrated and full of self-individuality, the pursuit of excellence and the courage to innovate may be one of the reasons why AUDEMARS PIGUET joined hands with the Montreux Jazz Festival. perfect replica watches

In the minds of music fans around the world, the Montreux Jazz Festival in Switzerland is a world-class legendary stage. It has been held since 1967 and is the oldest and second largest jazz festival in the world. Every year at the beginning of July, Montreux, located on the northern shore of Lake Geneva, Switzerland, will hold a 16-day music festival. As many as 250,000 spectators flock to this Swiss town, and countless top musicians and emerging musicians will appear one after another. Performance.

What makes music so exciting is the interaction with people. Just like the most fascinating part of jazz, there is nothing more fascinating than the moment when the musicians perform “out of sequence”. The freer rhythm tests the tacit understanding of the band members, thereby endowing classic music with different styles of interpretation and gorgeous show-off skills. It is also most likely to erupt at this moment! Whether it is the spark of interaction between band members or the mutual rendering and blending of the audience’s emotions, the connection with people is the key to achieving a perfect performance and creating classic works.

Since 2010, AUDEMARS PIGUET fake has supported the digital collection project of the Montreux Jazz Festival. “The priceless treasure. In 2019, not only did the two parties become global partners, but the brand further promoted the music sponsorship plan, resulting in a cooperation with brand ambassador Mark Ronson.

Today’s Montreux Jazz Festival is becoming more and more grand, and the content of the performances is no longer limited to jazz music, but a wide range of different types of musicians to perform on stage. Emphasizing historical heritage while being able to keep pace with the times and be brave in innovation are the same core values that AUDEMARS PIGUET is proud of.

How does the watch pay homage to music?
Through the scenes most familiar to musicians, move people’s hearts with rhythm

AUDEMARS PIGUET’s support and love for music art not only becomes a partner of the music festival in essence, but also turns into the exclusive design vocabulary of watches on the other hand. The brand understands that wristwatches are just like music, which deserves persistence and ideals. These arts, which are constantly pursuing excellence, are of course very suitable for being endowed with a lofty image, but the most important element is always the intimate connection with people and the sincere interaction of emotions— — that is, how to touch people’s hearts. The Royal Oak Offshore Royal Oak Offshore Music Limited Edition watch is the brand’s tribute to the world music scene and the tireless musicians who have devoted themselves to creation.

The brand has chosen a very bold design that can even be said to have set a brand precedent. The classic “Tapisserie” check surface of the Royal Oak Offshore is printed with a colorful audio equalizer pattern; the strap resembles an audio plug. The interface and the crown guard bridge like a mixer pusher directly express the inspiration of music for watch creation through scenes that musicians are all too familiar with. Prior to this, this music limited edition watch has launched five styles of different materials. This year’s new model is a black ceramic case with a diameter of 37mm, with a black easy-to-change “mosaic” textured rubber strap. Among monotones, the undulating rhythm of the color equalizer is more dynamic.

The brand ambassador will hold a show at the 2023 Music Festival
A live performance is a wonderful journey

This year’s Montreux Jazz Festival, AUDEMARS PIGUET Audemars Piguet invited brand ambassador Mark Ronson to jointly plan a unique music show on the closing night. This producer and composer who has won seven Grammy Awards and is currently active has worked with top singers and bands: Mars Bruno Mars, Adele, Paul McCartney, Miley Cyrus, Duran Duran… too many to list ; he co-wrote the single “Shallow” for the film “A Star Is Born” and won an Academy Award. This year’s “Barbie Barbie” live-action film has him as the executive producer of the album and the co-composer of the soundtrack.

For a music performance, if you simply pursue smoothness and excitement, then the gathering of top performers in various fields will surely satisfy the audience; but at the legendary stage of the Montreux Jazz Festival, which was once the springboard for many music superstars to become famous, Mark Both Ronson and AUDEMARS PIGUET hope to create a more meaningful performance.

Therefore, Mark Ronson invited a number of music masters who have co-recorded Amy Winehouse, Lady Gaga, Bruno Mars and other superstar classics to come together and perform on the same stage; Rhythm and blues singer Lucky Daye cooperates, drawing on the rich experience of veteran musicians to help rookies who are preparing to climb the peak.

We often say that Best replica watches collection is like a journey, and the music show of AUDEMARS PIGUET and Mark Ronson’s “Dream Band” is not only a live performance of tens of minutes, but also a period of inspiration, generational support and extraordinary creation. course. This music experience conveys to the audience about the talents of musicians, cooperation and the final birth of moving results, and all of this is achieved by the wonderful moments experienced by the brand, ambassadors, orchestra members, watch fans all over the world and the audience.