Brand and movement: Jacob & Co. Chiron Tourbillon x Bugatti Chiron Pur Sport

Exotic cars and beautifully handcrafted timepieces go together like salt and pepper. They just work. In many cases, perfect swiss watch manufacturers produce watches that fit exotic auto industry or even specific vehicles. Makes and Movements will select wonderful products through the DuPont Registry and pair them with current or pre-release watches. The diversity of vehicles and timepieces will reveal different brands and help to understand new areas of each industry.

Bugatti Chiron Tourbillon
The collaboration between Jacob & Co. and Bugatti began in 2019, with both industry leaders looking to embody the true spirit of both brands through a collection of never-before-seen luxury timepieces. The dynamic duo aimed to combine the luxury qualities of a supercar with the development of high-end timepieces to help bridge the gap between the two industries. Following the release of the iconic Bugatti Chiron chassis, the team at Jacob & Co. set out to design a collection dedicated to taking watchmaking to impossible heights. The Jacob & Co. Bugatti Chiron Tourbillion is the answer to this multi-million dollar supercar. The design styles of the Jacob & Co. Bugatti Chiron Tourbillon and Bugatti Chiron Pur Sport mimic each other on two different scales, and together they form the perfect performance-oriented partner.

The Jacob & Co. Bugatti Chiron Tourbillon continues to embody Bugatti’s vision and its journey to push the limits of performance, combining luxury design and state-of-the-art movement technology. The Bugatti Chiron Tourbillon is a 44mm super watch crafted from DLC-treated titanium, giving it a lightweight design that any collector can trust. The real beauty is revealed under the transparent sapphire crystal glass, and the redesigned skeleton dial layout represents the W16 engine platform developed by the Bugatti brand. A quick press of the right-hand crown activates the Jacob & Co. Bugatti Chiron Tourbillon’s crankshaft, which turns and operates 16 pistons to mimic the workings of an internal combustion engine. Powering the online luxury watch is Jacob & Co.’s in-house JCAM37 hand-wound movement, which features a “flying” tourbillon that allows you to get a closer look at the inner workings of the mechanism. The JCAM37 features a highly complex movement developed in-house that offers a power reserve of up to 60 hours, indicated by an air pump gauge on the dial. The see-through case back allows the wearer to get a closer look at Jacob & Co.’s craftsmanship and attention to detail. Jacob & Co. wanted it to be a practical everyday timepiece, outfitting the Bugatti Chiron Tourbillon with a comfortable black rubber strap and matching black DLC titanium deployant buckle.

Common ground as legends: AUDEMARS PIGUET and Montreux Jazz Festival

It is often heard that Buy replica watches brands cooperate with famous cars. After all, it is easy to intuitively understand the common concept of seeking the speed limit and precise minutes and seconds; as for the compatibility of watches and music? They are all extended from theoretical calculation to emotional expression. They also share the incomparable enthusiasm for creation and the endless pursuit of technology. After careful exploration, there are so many echoes of ideas. Therefore, the cooperation between AUDEMARS PIGUET and the Montreux Jazz Festival in Switzerland not only guides us to discover some commonalities between music and watch art, but also highlights the core values that both parties value equally.

In jazz, the personal skills and talents of the musicians are of course highly respected, but the truly moving phrases will only emerge when the voices and instruments blend with each other; Angles and horns are all part of an excellent timepiece, and only when the mechanical structure is perfectly fastened and operated precisely, the delicate hand-polished and polished parts and the calculated perfect visual proportion can be meaningful.

On the stage of jazz, exquisite skills, unique personality, interaction between musicians, audience and band members trigger unique encounters one after another; whether this experience is the same as AUDEMARS PIGUET Audemars Piguet’s watch brings us the touch Quite similar? This year, the brand joined hands with brand ambassador Mark Ronson to plan a unique music experience on the closing night of the Montreux Jazz Festival, writing a new chapter for cross-border cooperation.

To be exciting, you must first interact with people
Watches and music, connecting with people, can make legends

If you like jazz, you must be a person who is willing to explore infinite possibilities and have an open and diverse taste perspective, because there are so many aspects to appreciate in jazz, such as melody, rhythm, harmony, improvisational interaction of musicians and showing off skills; it can be compared with Various music styles blend and intersect. At the same time, jazz always has its own style, which sounds like a unique “jazz flavor”. This kind of characteristic that is both integrated and full of self-individuality, the pursuit of excellence and the courage to innovate may be one of the reasons why AUDEMARS PIGUET joined hands with the Montreux Jazz Festival. perfect replica watches

In the minds of music fans around the world, the Montreux Jazz Festival in Switzerland is a world-class legendary stage. It has been held since 1967 and is the oldest and second largest jazz festival in the world. Every year at the beginning of July, Montreux, located on the northern shore of Lake Geneva, Switzerland, will hold a 16-day music festival. As many as 250,000 spectators flock to this Swiss town, and countless top musicians and emerging musicians will appear one after another. Performance.

What makes music so exciting is the interaction with people. Just like the most fascinating part of jazz, there is nothing more fascinating than the moment when the musicians perform “out of sequence”. The freer rhythm tests the tacit understanding of the band members, thereby endowing classic music with different styles of interpretation and gorgeous show-off skills. It is also most likely to erupt at this moment! Whether it is the spark of interaction between band members or the mutual rendering and blending of the audience’s emotions, the connection with people is the key to achieving a perfect performance and creating classic works.

Since 2010, AUDEMARS PIGUET fake has supported the digital collection project of the Montreux Jazz Festival. “The priceless treasure. In 2019, not only did the two parties become global partners, but the brand further promoted the music sponsorship plan, resulting in a cooperation with brand ambassador Mark Ronson.

Today’s Montreux Jazz Festival is becoming more and more grand, and the content of the performances is no longer limited to jazz music, but a wide range of different types of musicians to perform on stage. Emphasizing historical heritage while being able to keep pace with the times and be brave in innovation are the same core values that AUDEMARS PIGUET is proud of.

How does the watch pay homage to music?
Through the scenes most familiar to musicians, move people’s hearts with rhythm

AUDEMARS PIGUET’s support and love for music art not only becomes a partner of the music festival in essence, but also turns into the exclusive design vocabulary of watches on the other hand. The brand understands that wristwatches are just like music, which deserves persistence and ideals. These arts, which are constantly pursuing excellence, are of course very suitable for being endowed with a lofty image, but the most important element is always the intimate connection with people and the sincere interaction of emotions— — that is, how to touch people’s hearts. The Royal Oak Offshore Royal Oak Offshore Music Limited Edition watch is the brand’s tribute to the world music scene and the tireless musicians who have devoted themselves to creation.

The brand has chosen a very bold design that can even be said to have set a brand precedent. The classic “Tapisserie” check surface of the Royal Oak Offshore is printed with a colorful audio equalizer pattern; the strap resembles an audio plug. The interface and the crown guard bridge like a mixer pusher directly express the inspiration of music for watch creation through scenes that musicians are all too familiar with. Prior to this, this music limited edition watch has launched five styles of different materials. This year’s new model is a black ceramic case with a diameter of 37mm, with a black easy-to-change “mosaic” textured rubber strap. Among monotones, the undulating rhythm of the color equalizer is more dynamic.

The brand ambassador will hold a show at the 2023 Music Festival
A live performance is a wonderful journey

This year’s Montreux Jazz Festival, AUDEMARS PIGUET Audemars Piguet invited brand ambassador Mark Ronson to jointly plan a unique music show on the closing night. This producer and composer who has won seven Grammy Awards and is currently active has worked with top singers and bands: Mars Bruno Mars, Adele, Paul McCartney, Miley Cyrus, Duran Duran… too many to list ; he co-wrote the single “Shallow” for the film “A Star Is Born” and won an Academy Award. This year’s “Barbie Barbie” live-action film has him as the executive producer of the album and the co-composer of the soundtrack.

For a music performance, if you simply pursue smoothness and excitement, then the gathering of top performers in various fields will surely satisfy the audience; but at the legendary stage of the Montreux Jazz Festival, which was once the springboard for many music superstars to become famous, Mark Both Ronson and AUDEMARS PIGUET hope to create a more meaningful performance.

Therefore, Mark Ronson invited a number of music masters who have co-recorded Amy Winehouse, Lady Gaga, Bruno Mars and other superstar classics to come together and perform on the same stage; Rhythm and blues singer Lucky Daye cooperates, drawing on the rich experience of veteran musicians to help rookies who are preparing to climb the peak.

We often say that Best replica watches collection is like a journey, and the music show of AUDEMARS PIGUET and Mark Ronson’s “Dream Band” is not only a live performance of tens of minutes, but also a period of inspiration, generational support and extraordinary creation. course. This music experience conveys to the audience about the talents of musicians, cooperation and the final birth of moving results, and all of this is achieved by the wonderful moments experienced by the brand, ambassadors, orchestra members, watch fans all over the world and the audience.

Greubel Forsey (Greubel Forsey) hands-on, make everything in the new 24-second tourbillon architecture

Replica Greubel Forsey Watch Tourbillon 24 Seconds Contemporain Red Gold Grey Dial Men

The Swiss high-end watchmaker has absolutely nothing to hide – and this new case design proves it.

The headquarters and seat of fake Greubel Forsey in La Chaux-de-Fonds is one of the most fascinating buildings in the entire Swiss watch industry. The centerpiece of the facility is a 17th-century farmhouse, purchased in 2007 by company founders Robert Greubel and Stephen Forsey. Throughout the late 2000s and early 2010s, the duo worked gradually to expand the building into its current form, which features a tall modernist glass-walled studio swelling from the side of the once quaint log home.

When I visited Greubel Forsey’s manufacturing plant a few years ago, I was amazed to see how differently the two parts of the building were designed. On one side you have all the modern finishes of a contemporary high end watchmaker, clean rooms and on the other side a beautifully restored original 300 year old farmhouse. Watchmakers, craftsmen, and administrative and marketing staff mingle between the two parts of the building throughout the day at zero intervals, even if half the walls of their workspaces might bring you splinters.

The choice to create this building was deliberate, to highlight the two worlds that Greubel Forsey timepieces occupy. The company’s traditional approach to decoration emphasizes old world craftsmanship and craftsmanship – Philippe Dufour is a fan – and then the watch engineering part, and no one in the Swiss watch world has been as avant-garde and progressive as Greubel Forsey this century. These two aspects have always distinguished Greubel Forsey’s watches, and they are clearly reflected in the architecture of Greubel Forsey’s home.

Luckily, Greubel Forsey has re-emphasized architecture in today’s release of the 24-second tourbillon, a new timepiece that opens up a whole new type of case design for the company, as well as a new movement, even if it may have some familiar element.

What’s new at Greubel Forsey?
The Tourbillon 24-Seconds Architecture represents the dawn of a new era for Greubel Forsey, which has gradually taken hold over the past 18 months since the appointment of new CEO Antonio Calce. During that time, we’ve seen the company make some small strategic shifts and structural changes, many of which are reflected in today’s new release.

One of Greubel Forsey’s biggest news so far this year, for example, has been the successful buyback of all outside holdings, including the 20% that Richemont acquired back in 2006. As of today, ownership of the company is split between founders Robert Greubel and Stephen Forsey, and new CEO Calce.

Other notable moves include the decision to use only plant-based straps, rather than exotic leather, on the new Greubel Forsey watches. The company has also made a noticeable shift away from newly released precious metals to focus on building its newly identified “Convexe Collection” with lightweight titanium. Another achievement is the company’s desire to produce more watches each year—Greubel Forsey plans to reach 200 for the first time in 2022.

Tourbillon 24 Seconds is an open book
In many respects, the 24-second tourbillon architecture represents the realization of Greubel Forsey’s new aesthetic basis, which was not possible just a few short years ago. Looking at the case itself, it features a titanium chassis with numerous sapphire crystal inserts that act as windows to the movement. Greubel Forsey had previously experimented with separate small sapphire crystal windows in the cases of various watches in 2007, but the tourbillon 24-second architecture was the first time the entire periphery of the watch was so exposed (outside, well, in a full sapphire crystal case), allowing visibility and light to enter the movement from all angles.

When I saw this fake watches at discount in person a few weeks ago, I was particularly attracted by the sapphire crystal window at six o’clock in the case, which is located between the new three-dimensional “variable geometry” lug design, making it unprecedented. Continuously observe the high-speed operation of Gooper’s unique 24-second tourbillon from a different angle.

The case is much more complex than simply combining titanium and sapphire crystal into one design. Greubel Forsey describes the case shape as a “frustum of cone”, which is a delicate way of AP geometry to mean that it is shaped like a hollow cone with no tip, like a lampshade. The convex profile was developed to enhance the ergonomic wrist feel of this model, but the real fun comes when you open the calipers and start measuring the watch. Because the case of the tourbillon 24-second mechanism is so dramatically inverted, the measured diameter of the caseback itself is almost two millimeters (47.05mm) larger than the measured bezel width alone (45mm). One of the benefits of this design is that not only is the watch comfortable to wear (and lightweight, thanks to the use of titanium), but it also looks more compact on the wrist than you might think (the watch is 16.8mm thick at its farthest point). Thankfully, unlike some previous examples like the Tourbillon 24 Secondes, the tourbillon doesn’t have a spherical window into which to slot into your arm.

Before delving into the movement, I want to point out some other aesthetic differences of the 24-second tourbillon architecture. Most notably, Greubel Forsey has introduced a new typeface for its characteristic ‘brand values’, which are usually listed and embossed on places like the rotor, case or case back of the brand’s watches. Instead of the basic sans-serif typeface the company has used in the past, the Tourbillon 24-Seconds architecture uses a font clearly inspired by the world of science fiction, an appropriate choice for such an unorthodox watch design.

Greubel Forsey also appears to have adjusted the motto for the new watches, favoring a shorter single word on the watch’s inner bezel. As far as I know, innovation, passion, and science are all new additions to the listed values, but I can’t lie, I always get a little laugh from lengthy French phrases like Noblesse Esthétique and Oeuvre Unique on Greubel’s Forsey’s watch . I’ll also say that while I think the new Blade Runner-style font fits perfectly with the futuristic aesthetic of the Tourbillon 24-second architecture, I hope they have options for future applications because I can’t imagine it going with the Every future version of Greubel Forsey works together. (It does, however, complement the dense phobia-inducing motifs on the front and back of the mainspring barrel.)

The movement and dial of the tourbillon 24-second architecture are the same. For all intents and purposes, there are no dials on the watch, just the three-dimensional peaks, valleys and structures that frame the movement. Hours and minutes are indicated by a central earpiece in polished steel, bent by hand to fit the sapphire crystal dome above. The hands tell the time via twelve small, luminescent quadrangular components attached to the edge of the inner case. Small sub-dials appear to float on a cylinder near eight o’clock, dominated by a large red triangle that is the running seconds display.

I’m also delighted to see the return of the three-legged support bridge with this new watch, which supports the central earpiece and provides the necessary visual weight to accentuate the contrast between the watch’s main timekeeping capabilities and the fast-spinning tourbillon directly below it. This triple bridge used to carry the central earpiece was once a signature visual element of Greubel Forsey, but over time it has more or less disappeared from the series, with the exception of the Balancier contemporary released today and soon to be discontinued. . However, as with many of Greubel Forsey’s timepieces, the tourbillon is always the main attraction.

speeding and leaning
The regulating organ used in the new best price watches is identified by its name: Tourbillon 24 Secondes. First launched in 2007, it was one of the earliest achievements under the Greubel Forsey brand, following the release of the original Double Tourbillon 30° watch in 2004 by Greubel Forsey. (Greubel Forsey) started their brand with that.

As its name suggests, the 24-second tourbillon moves much faster than a normal tourbillon, completing a full revolution every 24 seconds instead of 60. Not only is it fast, the tourbillon mechanism is also slightly tilted, tilted at a constant 25-degree inclination relative to the vertical axis. As we all know, the tourbillon consists of a cage containing the balance, hairspring and escapement, and is constantly rotating to prevent the adverse effects of gravity on isochronism. It was originally developed for pocket watches by Abraham-Louis Breguet more than 220 years ago, so today it is easy to dismiss the tourbillon as a superfluous addition to modern wristwatches. However, Greubel Forsey has always believed that the tourbillon can have a real impact on the precision of the watch. The tourbillon just needs to be adjusted or manipulated in some form or fashion. This is the basic principle on which the company has been built since its inception.

The concept behind the tilting 24-second tourbillon is actually relatively simple. The team at Greubel Forsey determined that by running the tourbillon at a higher speed and at a slight inclination, many of the most prominent problems of changing position of the regulating components could be eliminated. It is true – if the tourbillon is placed at a slight angle, it will not be pushed to the same height as if it were placed vertically or horizontally. By running at a faster speed, any individual tuning component reduces the time spent in positions where gravity can negatively affect speed. (Other watchmakers have experimented with tilting balances and tourbillons over the years, but none have perfected it quite like Greubel Forsey.)

The tourbillon is held at six o’clock by a massive bifurcated titanium bridge that has a beautiful smooth mirror finish with absolutely no harsh lines or angles. Greubel Forsey told me it takes up to 15 hours to hand polish a bridge of this style. A second, larger fork-shaped bridge with the same relaxed polished finish supports the mainspring barrel in the upper left corner of the dial. The way those bridges rise over the rest of the moving parts almost reminds me of pinball bumpers; I can imagine a little metal ball tipping around the rest of the movement. The barrel is hidden behind the cover, but what makes this part of the watch so bulky is the fact that there are a total of three series-coupled barrels stacked underneath,

This leads to the final function of the tourbillon’s 24-second structure, the power-reserve display. Hidden in plain sight, it sits near three o’clock and is supported by its own free-standing titanium slab bridge. The red triangles indicate the remaining operating autonomy on the scale on the lower cone. top quality watches

Every aspect of the tourbillon’s 24-second construction has been intensively and extensively decorated by hand. Those bridges for the tourbillon and mainspring barrel? I have no doubt that someone has spent days polishing titanium to achieve the full finish. The Tourbillon 24 Secondes Architecture is like many Greubel Forsey watches, no matter where you look on the dial, it can be studied and scrutinized with a magnifying glass. I found myself drawn to the dichotomous finish used for the upper right bridge of the watch. The transition from polished black to frosted bridges is unexpectedly dramatic, and I couldn’t help but soak up the details of it all.

Flip the watch over and Greubel Forsey has rendered the back of the movement in his typically simple fashion, except it now has a more futuristic look to better match the rest of the tourbillon’s 24-second architecture. The main visible bridges on this side of the watch are heavily brushed, providing an understated contrast to the veritable horological cityscape on the dial side, but there’s still plenty of magic in the details. I counted at least 18 exterior and interior corners throughout the caseback view.

it’s all about construction
The Tourbillon 24 Seconds structure is made up of hundreds of tiny parts and assemblies, each intricately designed, machined and engineered to fit and work together. Their only goal is to represent the passage of time as precisely as possible. How this is achieved is entirely up to the ingenuity of each watchmaker, and many prefer to hide their horological creativity with traditional dials or closed casebacks. Greubel Forsey isn’t afraid to make it all public; they know what’s worth seeing. copy watches for men

Bugatti Chiron Tourbillon Editions Limited Edition

There are so many elements that make a Bugatti so fascinating – precision, beauty, performance…everyone could make this list longer. However, it all comes back to the heart of every modern Bugatti: the engine. With the launch of the Jacob & Co. x Bugatti Chiron Tourbillon in April 2020, the special Bugatti feel triggered by the iconic W16 engine is transferred to the watch for the first time. Now, four new editions of this timepiece represent the craftsmanship, dedication and skill that Chiron embodies: the meeting of the top of the automotive industry and the pinnacle of watchmaking.

The four new Chiron Tourbillon watch editions embody Bugatti in every way with the utmost sophistication and extraordinary detailing. All four versions boast a stunning movement made up of 578 individual parts that combine motor and clock designs in surprising ways. Beneath the expansive sapphire crystal is a tiny engine block modeled on the legendary 8,0-liter W16 engine that starts at the touch of a button. The watch is driven by a flying tourbillon tilted 30 degrees.

The new version of the Chiron Tourbillon has been further developed with new materials for the ultimate in personalisation. Inspired by the smooth lines of the Chiron, the overall shape of this stunning timepiece is drawn from its automotive counterparts. The first option consists of a solid sapphire crystal block, sapphire crystal case back and sapphire crystal crown and pushers. This masterpiece is worn on the wrist on a rubber strap with a titanium clasp. The second option – has a case made of 18 karat rose gold with a special anti-reflective sapphire crystal, a visible caseback, also made of 18 karat rose gold, and black DLC The finished crown and pushers feature titanium embossed with the Bugatti logo. This version includes a rubber strap with black DLC titanium and 18 karat rose gold buckle.

18 karat rose gold case
Another limited edition offers an 18-carat rose gold case set with sparkling white diamonds and an anti-reflective sapphire crystal. The visible case back, crown and buttons are made of 18-karat rose gold, which also features white baguette diamonds and a perforated Bugatti logo. The watch is secured by a rubber strap with an 18-carat rose gold buckle set with white diamonds. Featuring an 18-carat white gold case set with 391 black and white diamonds (approximately 20 carats), the Chiron Tourbillon represents the ultimate definition of luxury. The 18-carat white gold case back complements the crown and buttons set with white baguette diamonds. Rubber strap and 18 ct white gold buckle set with 18 white diamonds (approx. 1.76 ct).

The Bugatti experience on your wrist
Once the right crown of the timepiece is pressed, the animation of the legendary Bugatti engine begins. Just as a supercar’s engine kicks off, a “crankshaft” made of solid steel — one of the smallest and most complex single watch parts ever made — spins and the “pistons” pump up and down, mounting them in different ways The angle further adds to the complexity of the movement. Two “turbochargers” on the sides of the engine block spin while the drivetrain is running, adding to the overall spectacle.

The movement is held in four positions by Chiron-style micro shock absorbers. As a result, it floats in the case and the slight up-and-down movement of the mainspring can be observed. This suspension detail posed an additional challenge for watch designers, who had to develop and patent a unique, car-inspired lateral system to ensure that the crown pin would not be damaged by movement in the case. Replica Watches Online

The crown is located on the underside of the case. The time is set by the left crown, the middle crown provides a 60-hour power reserve and animation for winding the movement, while the right crown activates the animation. The power reserve for animation and chronograph is separate, but both wrap around the same crown – clockwise for the movement (60 hours), and counterclockwise for the motor animation (about three activated). The movement’s power reserve even features a petrol pump symbol on the side of the display.

As an interpretation of the Bugatti logo, this timepiece naturally retains the DNA of Bugatti design and also conveys its emotion. In addition to the flying tourbillon bearing the fashion Jacob & Co. logo, the engine compartment is adorned with a subtle EB logo, where the “crankshaft” houses 16 pistons waiting to start. The tourbillon window is modeled after the horseshoe grille, which has always been an integral part of Bugatti supercar design. For the first time in watchmaking, Jacob & Co. x Bugatti Chiron Tourbillon provides a seamless link between supercars and high-quality watchmaking success.

Experience firsthand the new Zenith CHRONOMASTER SPORT and 1/10th SECOND EL PRIMERO

Zenith returns to its Chronomaster Sport series, launching two new chronographs equipped with El Primero, setting a new tone for the brand. It’s been 5 years since we saw the new Chronomaster Sport, the new implementation uses a traditional conceptual approach, obviously aimed at some of the main products in the category. As Zenith El Primero, it has the benefits of a built-in strong tradition. It also has an easy-to-understand design language, and Zenith is doing well while bringing El Primero into new areas.

The Chronomaster Sport has always been one of El Primero‘s more advanced designs, able to quickly adapt to new trends (for better or worse) and to attract new customers who value the modernity of their timepieces. The product released in 2015 has a diameter of 45 mm and a thickness of 14 mm or more. It uses oversized hour markers and hands, and is equipped with crouched, slightly rough numbers in the sub-dial. The three-color color scheme was cancelled and replaced by a uniform appearance color that matched the dial. Although handsome in some respects, it fell into a disturbing situation in the context of the El Primero name.

The new Chronomaster Sport series is clear at a glance and more meaningful. The new watch is launched in 2 styles, which can be recognized at a glance as the Zenith El Primero chronograph, which is very similar to the current Rolex Daytona (Ref. 116500), thanks to the prominent black ceramic bezel with your choice A white or black dial. Of course, a version of the El Primero movement appeared in Daytona for 12 years (reference number 16520), so you can say that this is an appropriate similarity. Fortunately, Daytona is a very beautiful watch.

As Zenith, this is not exactly your standard chronograph, it differs from watches such as Daytona in some important ways. The most striking thing is the chronograph itself. In the Chronomaster Sport, it can walk around the dial in just 10 seconds, tracking every tenth of a second along the way. You will notice the unusual layout of the bezel to allow this measurement, and it replaces the more traditional speedometers that you would normally find occupying this area. It is not as strong as the Land Rover 21 we are showing you here, but it can be said that it is more useful in measuring the types of things that normal humans need to measure.

The dial itself is dominated by three super-large ranges, which have received the three-tone processing of Zenith that we know and love. Here, they appear as blue, anthracite, and light gray. The rest of the dial is an exercise of restraint, with only a hash of minutes and seconds appearing between the applied hour batons, which themselves are beveled and polished. The date window appears at 4:30 and the color matches the dial. The simple dial with eye-catching, clear hands and hour markers reminds people of Deluca, which was rarely seen in the late 80s and early 90s, which is a very good thing. That watch is a story from another day, but it is refreshing to refer to these areas of its history to this effect when seeing luxury Zenith.

The steel case has a diameter of 41 mm. Thanks to the protruding bezel, every point on the wrist can be worn. The lugs have a radical but uniform curve towards the wrist, with sharp polished chamfers on the edges. From top to bottom, this greatly reduces the lugs and forms a watch around the wrist, effectively hiding the thickness of about 14 mm. Overall it wears well, if you think Daytona is too small, this should be your perfect choice. Plus, you might actually get one of them.

Inside the Chronomaster Sport, El Primero 3600 beats at a frequency of 5 Hz and provides a 60-hour reserve. This is the same as what we saw in the 2019 Chronomaster 2 limited edition release. This watch is very similar to what we saw here, but is more conceptual in execution. Chronomaster Sport is a regular production model, this is the first such appearance of the 3600. You can see the movement through the bottom cover of the exhibition. Although it is not beautiful, it is really interesting. As mentioned earlier, the chronograph is read every tenth of a second and is read through a pinion connected to the escapement itself (rather than borrowing from the gear train). There are 3,600 seconds in an hour, and this action jumps at 36,000 VpH, and it is easy to calculate from there.

The new Chronomaster Sport will be equipped with a steel Oyster bracelet with a polished center link. The edges of the brushed links have a polished bevel, which provides some visual depth to the entire bracelet. The fit and finish of the bracelet is not as perfect as you see on Daytona, but it can be used daily. Depending on the color of the dial, a blue or black fabric strap is also available, which looks more suitable for the overall beauty. Yes, it also looks great on a nylon strap. cheap replica watches